Georg Philipp Telemann, Jiří Stivín, Capella Istropolitana, Richard Edlinger's 'Overture (Suite) in A Minor for Recorder and Strings, TWV 55:a2: III. Air a l'Italienne' came out on April 15, 1989. With this song being about 5 minutes long, at 5:19, "Overture (Suite) in A Minor for Recorder and Strings, TWV 55:a2: III. Air a l'Italienne" by Georg Philipp Telemann, Jiří Stivín, Capella Istropolitana, Richard Edlinger is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 19 in the song's album "Telemann: Recorder Suite in A minor - Viola Concerto - Tafelmusik: 2 Concerti". In this album, this song's track order is #7. In terms of popularity, Overture (Suite) in A Minor for Recorder and Strings, TWV 55:a2: III. Air a l'Italienne is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Overture (Suite) in A Minor for Recorder and Strings, TWV 55:a2: III. Air a l'Italienne by Georg Philipp Telemann, Jiří Stivín, Capella Istropolitana, Richard Edlinger having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto grosso in D Minor, Op. 3/11, RV. 565: I. Allegro - Adagio - Allegro | Antonio Vivaldi, Simon Standage, Elizabeth Wilcock, Jaap Ter Linden, The English Concert, Trevor Pinnock | B Major | 2 | 1B | 110 BPM | ||
Canon & Gigue in D Major, P. 37: Canon | Johann Pachelbel, Capella Istropolitana, Richard Edlinger | D Major | 1 | 10B | 98 BPM | ||
Concerto For Oboe In D Minor - Presto | Tafelmusik Baroque Orchestra | D♭ Minor | 3 | 12A | 104 BPM | ||
Sonata in G Major, K 13 (L 486) | Domenico Scarlatti, Glenn Gould | G Major | 3 | 9B | 101 BPM | ||
Suite From Abdelzar: VI. Air | Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon | F♯ Minor | 2 | 11A | 101 BPM | ||
Overture (Suite) In C Major, TWV 55: C6: V. Sommeille | Cologne Chamber Orchestra, Georg Philipp Telemann | C Minor | 0 | 5A | 58 BPM | ||
String Quartet No. 2 in D Major, K. 155: I. Allegro | Eder Quartet | D Major | 1 | 10B | 128 BPM | ||
Sinfonia No. 10 in C Major: IV. Presto | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | E Minor | 2 | 9A | 125 BPM | ||
Concerto for 2 Oboes in F Major, Op. 9, No. 3: III. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | F Major | 3 | 7B | 112 BPM | ||
Concerto For 4 Violins In E Minor, Op. 3, No. 4, RV 550: I. Andante | Antonio Vivaldi, Capella Istropolitana | D Minor | 3 | 7A | 126 BPM |
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