Arcangelo Corelli, Anna Holbling, Daniela Ruso, Quido Holbling, Ludovit Kanta, Capella Istropolitana made "Concerto Grosso In C Major, Op. 6, No. 10: VI. Minuetto: Vivace" available on May 22, 1991. With Concerto Grosso In C Major, Op. 6, No. 10: VI. Minuetto: Vivace being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 24 out of 35 in Concerto Grossos Op. 6, Nos. 7-12 by Arcangelo Corelli. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, Concerto Grosso In C Major, Op. 6, No. 10: VI. Minuetto: Vivace is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Concerto Grosso In C Major, Op. 6, No. 10: VI. Minuetto: Vivace by Arcangelo Corelli, Anna Holbling, Daniela Ruso, Quido Holbling, Ludovit Kanta, Capella Istropolitana is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 1/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 3 in G Major, K. 216: I. Allegro | Wolfgang Amadeus Mozart, Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser | G Major | 1 | 9B | 119 BPM | ||
Trio Sonata in F Major, W. VII:3, B. 12: III. Tempo di minuetto | Johann Christoph Friedrich Bach, London Baroque | E Major | 1 | 12B | 111 BPM | ||
Concerto a 5 in D, Op.7, No.6 for Oboe, Strings and Continuo: 2. Adagio | Tomaso Albinoni, Heinz Holliger, I Musici | B Minor | 1 | 10A | 76 BPM | ||
Concerto Grosso in G Minor, Op. 3, No. 10: III. Largo | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | G Minor | 0 | 6A | 125 BPM | ||
Sonata In D For Violin And Continuo: Allegro | Johann Georg Pisendel, La Serenissima, Adrian Chandler, violin | D Major | 4 | 10B | 131 BPM | ||
Concerto for Flute and Oboe in G Major, FWV L:G8: III. Allegro | Johann Friedrich Fasch, Gunther Holler, Helmut Hucke, Cappella Coloniensis, Hans-Martin Linde | E♭ Minor | 2 | 2A | 127 BPM | ||
Concerto Grosso in F Major, Op. 6, No. 2, HWV 320: IV. Allegro ma non troppo | George Frideric Handel, Academy of St. Martin in the Fields, Iona Brown | A Minor | 2 | 8A | 107 BPM | ||
Trio Sonata for 2 Flutes and Continuo in E minor, HWV 395: 1. Largo | George Frideric Handel, William Bennett, Trevor Wye, George Malcolm, Denis Vigay, Academy of St. Martin in the Fields | E Minor | 2 | 9A | 50 BPM | ||
Concerto No. 1 in F Major, BWV 1046: IV. Menuet - Trio I - Polonaise- Trio II | Johann Sebastian Bach, Musica Amphion, Pieter-Jan Belder | B Major | 1 | 1B | 136 BPM | ||
Sonata in D Major, (G. 1): I. Andante | Giuseppe Torelli, Thomas Hammes, European Chamber Soloists, Nicol Matt | D Major | 1 | 10B | 88 BPM |
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