George Frideric Handel, Academy of St. Martin in the Fields, Iona Brown made "Concerto Grosso in F Major, Op. 6, No. 2, HWV 320: IV. Allegro ma non troppo" available on January 1, 2000. The duration of Concerto Grosso in F Major, Op. 6, No. 2, HWV 320: IV. Allegro ma non troppo is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Concerto Grosso in F Major, Op. 6, No. 2, HWV 320: IV. Allegro ma non troppo's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel's "Handel: Concerto Grosso Op. 6, Nos. 1, 2, 8, 9, 10 and 12" album is number 9 out of 32. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Concerto Grosso in F Major, Op. 6, No. 2, HWV 320: IV. Allegro ma non troppo is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Concerto Grosso in F Major, Op. 6, No. 2, HWV 320: IV. Allegro ma non troppo by George Frideric Handel, Academy of St. Martin in the Fields, Iona Brown to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Alcina, HWV 34 / Act II: "Verdi prati" (Arr. for Oboe d'amore, Strings and Basso Continuo) | George Frideric Handel, Albrecht Mayer, Jakub Haufa, Monika Razynska, Sinfonia Varsovia | D Minor | 2 | 7A | 176 BPM | ||
Trumpet Concerto in D Major, "Estienne Roger 188": III. Presto | Giuseppe Torelli, Thomas Hammes, European Chamber Soloists, Nicol Matt | A Major | 4 | 11B | 122 BPM | ||
Sammartini: Recorder Concerto in F Major: III. Allegro assai | Giuseppe Sammartini, Sir Neville Marriner, David Munrow, Academy of St. Martin in the Fields | B♭ Major | 3 | 6B | 105 BPM | ||
Flute Concerto in D Minor, QV 5:81: III. Vivace | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | C Minor | 1 | 5A | 137 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 7 : VI. Vivace | Arcangelo Corelli, Ludovit Kanta, Daniela Ruso, Anna Holbling, Quido Holbling, Capella Istropolitana | D Major | 2 | 10B | 98 BPM | ||
Symphony in A Major, Op. 2 No. 2 "Birthday Ode": II. Vivace | William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 1 | 11B | 141 BPM | ||
Trio Sonata No. 4 in C Major, DürG 13 (Attrib. J.S. Bach as BWV 1037): III. Largo | Johann Gottlieb Goldberg, London Baroque | E♭ Minor | 1 | 2A | 82 BPM | ||
Concerto grosso in F, Op. 3, No. 4bis: 1. Largo | George Frideric Handel, English Chamber Orchestra, Raymond Leppard, Leslie Pearson, John Constable | G Minor | 2 | 6A | 83 BPM | ||
Keyboard Concerto No. 5 in F Minor, BWV 1056: II. Largo | Johann Sebastian Bach, Tianqi Du, Academy of St. Martin in the Fields, Jonathan Bloxham | A♭ Major | 0 | 4B | 99 BPM | ||
Symphony in F Major, Op. 2 No. 4 "Shepherd's Lottery": III. Gavot: allegro | William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 1 | 7B | 153 BPM |
Section: 0.7525441646575928
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