Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi made "Flute Concerto in D Minor, QV 5:81: III. Vivace" available on July 2, 2013. With this song being about 5 minutes long, at 5:24, "Flute Concerto in D Minor, QV 5:81: III. Vivace" by Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 12 in the song's album "Quantz: Flute Concertos". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, Flute Concerto in D Minor, QV 5:81: III. Vivace's popularity is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Flute Concerto in D Minor, QV 5:81: III. Vivace by Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trio Sonata in G Major, QV 2:Anh. 26: IV. Presto | Johann Joachim Quantz, Ensemble Labirinto Armonico | G Major | 2 | 9B | 170 BPM | ||
Sonata Quinta in E Minor: III. Largo | Henry Eccles, Théotime Langlois de Swarte, Thomas Dunford | B♭ Minor | 0 | 3A | 121 BPM | ||
Concerto Grosso, Op. 6, No. 05 in D Major (HWV 323): Allegro | George Frideric Handel, Academy of Ancient Music, Andrew Manze | D♭ Major | 2 | 3B | 132 BPM | ||
Concerto in E Major for Violin, BWV 1042: Concerto in E Major for Violin, BWV 1042: II. Adagio | Johann Sebastian Bach, Andrew Manze, Academy of Ancient Music | C Minor | 1 | 5A | 78 BPM | ||
Concerto 2 in D Major, Op. 7: I. Adagio | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | A♭ Major | 1 | 4B | 191 BPM | ||
Concerto in G Minor: III. Allegro | Johann Friedrich Fasch, Combattimento Consort Amsterdam, Han De Vries | G Minor | 1 | 6A | 136 BPM | ||
Concerto in F Major, Seibel 234: 4. Allegro | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | E Major | 1 | 12B | 148 BPM | ||
Concerto in D Major for 2 Violins, Lute and Basso, RV 93: II. Largo | Antonio Vivaldi, L'Arte dell' Arco, Diego Cantalupi, Federico Guglielmo | D Major | 1 | 10B | 69 BPM | ||
Le Bourgeois Gentilhomme - Comédie-Ballet, LWV 43: Ouverture | Jean-Baptiste Lully, Gustav Leonhardt, La Petite Bande | F♯ Minor | 1 | 11A | 106 BPM | ||
Concerto In Sol maggiore: Allegro | Modo Antiquo | F♯ Major | 1 | 2B | 111 BPM |
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