- BPM
- 86
- Key
- G Major
- Camelot
- 9B
Opus Contra Naturam: I. — - Brian Ferneyhough, Charles Bernstein, Nicolas Hodges Information
- Acousticness
- 40%
- Danceability
- 59%
- Energy
- 3%
- Instrumentalness
- 0%
- Liveness
- 14%
- Loudness
- 58%
- Speechiness
- 8%
- Valence
- 39%
- Popularity
- 1%
- Loudness
- -25.495 dB
Summary
Brian Ferneyhough, Charles Bernstein, Nicolas Hodges's 'Opus Contra Naturam: I. —' came out on June 30, 2015. The duration of Opus Contra Naturam: I. — is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Opus Contra Naturam: I. —'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 16 in Ferneyhough: Complete Piano Works by Brian Ferneyhough, Nicolas Hodges. Opus Contra Naturam: I. — is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Opus Contra Naturam: I. — BPM
The tempo marking of Opus Contra Naturam: I. — by Brian Ferneyhough, Charles Bernstein, Nicolas Hodges is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
Opus Contra Naturam: I. — Key
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Epigrams: VI. — | Brian Ferneyhough, Ian Pace | D Major | 0 | 10B | 80 BPM | |
 | Preludes: Instants defunts (Dead Instants) | Olivier Messiaen, Håkon Austbø | D Major | 0 | 10B | 73 BPM | |
 | Játékok VI, 39, Waiting for Susan | György Kurtág, Pedro Alcalde | D Major | 0 | 10B | 64 BPM | |
 | Music of the Spheres, BVN 128: IV. Like the Refraction of Sunbeams in the Waves | Rued Langgaard, Danish National Symphony Orchestra, Thomas Dausgaard | D Major | 2 | 10B | 168 BPM | |
 | Játékok / 3.: 39. Hommage à Christian Wolff (Félálomban) | György Kurtág | D Minor | 0 | 7A | 141 BPM | |
| Preludes: Les sons impalpables du reve (The Impalpable Sounds of the Dream) | Olivier Messiaen, Håkon Austbø | E Major | 1 | 12B | 135 BPM | |
 | Tristan: I. Prologue | Hans Werner Henze, Igor Levit, Franz Welser-Möst, Gewandhausorchester | E Minor | 0 | 9A | 94 BPM | |
 | Mégalithes, Version 3: II. 5-2 - III. 97 | Gérard Grisey, Brynjar Kolbergsrud, Anne Marit Harbek, Benjamin Setsaas, Abel Pérez Armas, Thomas Gimse, Erlend Tynning Larsen, Nicolai Heuer, Marie Nøkleby Hanssen, Runa Eid Hermansen, Halvor Ovenstrøm, Erlend Aagaard-Nilsen, Jørgen Arnesen, Marie Solum Gran, Ingebjørg Bruket, Berger Iver Færder, Halldis Rønning | A Minor | 1 | 8A | 122 BPM | |
 | R. CARPIO: Suite Hospital Prelude (Chuquisengo, Piano) | ROBERTO CARPIO, Juan José Chuquisengo | D♭ Major | 3 | 3B | 121 BPM | |
 | Piano Concerto No. 1, Op. 45: III. Molto vivace | Einojuhani Rautavaara, Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu | C Minor | 3 | 5A | 76 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7127301692962646
End: 0.7169115543365479