"Preludes: Les sons impalpables du reve (The Impalpable Sounds of the Dream)" by Olivier Messiaen, Håkon Austbø was released on September 28, 1999. With this song being around four minutes long, at 3:46, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Olivier Messiaen's "Messiaen: Preludes / 4 Rhythmic Studies / Canteyodjaya" album is number 5 out of 13. Based on our statistics, Preludes: Les sons impalpables du reve (The Impalpable Sounds of the Dream)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Preludes: Les sons impalpables du reve (The Impalpable Sounds of the Dream) by Olivier Messiaen, Håkon Austbø to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Poulenc: Piano Concerto, FP 146: I. Allegretto | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | G Minor | 1 | 6A | 130 BPM | ||
Quatuor pour la fin du Temps: VI. Danse de la fureur, pour les sept trompettes | Olivier Messiaen, Martin Fröst | D♭ Major | 2 | 3B | 107 BPM | ||
Violin Concerto No. 2, Sz. 112: II. Andante tranquillo | Béla Bartók, Patricia Kopatchinskaja, Peter Eötvös, Frankfurt Radio Symphony Orchestra | G Major | 0 | 9B | 114 BPM | ||
Prelude in C Major, Op. 2: II. Prelude in B Major, Op. 3, No. 1 | Julian Scriabin, Evgeny Zarafiants | B Major | 0 | 1B | 117 BPM | ||
Sarcasms for Piano, Op. 17: II. Allegro rubato | Sergei Prokofiev, Daniil Trifonov | G Minor | 1 | 6A | 133 BPM | ||
Schnittke: String Quartet No. 3: I. Andante | Alfred Schnittke, Borodin Quartet | G Major | 1 | 9B | 85 BPM | ||
3 Fragmente: II. Ulysse en Itaque | Witold Lutosławski, Eva Oertle, Consuelo Giulianelli | G Minor | 0 | 6A | 80 BPM | ||
Two Pieces For Piano (1935): II Quite fast | John Cage, Herbert Henck | A♭ Major | 1 | 4B | 110 BPM | ||
Premier livre. Étude 1, Désordre | György Ligeti, Thomas Hell | A♭ Minor | 5 | 1A | 106 BPM | ||
Sonata for Violin and Piano in A: 2. Allegro- Quasi lento- Tempo 1 (Allegro) | César Franck, Kaja Danczowska, Krystian Zimerman | D♭ Minor | 2 | 12A | 87 BPM |
Section: 0.608229398727417
End: 0.6121771335601807