"String Quartet No. 2 in A Minor, Op. 35: II. Variation 7: Andante con moto" by Anton Arensky, Ying Quartet was released on October 4, 2011. With String Quartet No. 2 in A Minor, Op. 35: II. Variation 7: Andante con moto being less than two minutes long, at 1:21, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 13 out of 19 in Arensky: String Quartets Nos. 1 & 2 - Piano Quintet by Anton Arensky, Ying Quartet. String Quartet No. 2 in A Minor, Op. 35: II. Variation 7: Andante con moto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of String Quartet No. 2 in A Minor, Op. 35: II. Variation 7: Andante con moto by Anton Arensky, Ying Quartet is Lento (slowly), since this song has a tempo of 56 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No.1 In C Minor, Op.68: 2. Andante sostenuto | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | E Major | 1 | 12B | 85 BPM | ||
String Quartet No. 3 in E-Flat Minor, Op. 30, TH 113: IV. Finale. Allegro non troppo e risoluto | Pyotr Ilyich Tchaikovsky, Ying Quartet | C Minor | 3 | 5A | 131 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Finale. Allegro brillante [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | D Major | 1 | 10B | 68 BPM | ||
Waltz No. 12 in F Minor, Op. 70 No. 2 | Frédéric Chopin, Stephen Hough | A♭ Major | 0 | 4B | 76 BPM | ||
Lieder ohne Worte, Op.30: No. 1. Andante espressivo In E Flat, MWV U 103 | Felix Mendelssohn, Daniel Barenboim | E♭ Major | 0 | 5B | 69 BPM | ||
Violin Concerto No. 2 In G Minor, Op. 63: 1. Allegro moderato | Sergei Prokofiev, Gil Shaham, London Symphony Orchestra, André Previn | G Minor | 1 | 6A | 65 BPM | ||
Debussy: Petite suite, CD 71, L. 65: II. Cortège (Orch. Büsser) | Claude Debussy, Jean-François Paillard, Orchestre de chambre Jean-François Paillard | E Major | 1 | 12B | 90 BPM | ||
Beethoven: Violin Sonata No. 9 in A Major, Op. 47, 'Kreutzer': III. Finale (Presto) | Ludwig van Beethoven, Itzhak Perlman | A Major | 2 | 11B | 100 BPM | ||
3 Pieces for cello and piano: No. 3. Vite et nerveusement rythme | Nadia Boulanger, Nicolas Altstaedt, José Gallardo | D♭ Major | 1 | 3B | 151 BPM | ||
Violin Concerto No. 4 in D Major, K. 218: III. Rondeau - Andante grazioso - Allegro ma no troppo | Wolfgang Amadeus Mozart, Arabella Steinbacher, Festival Strings Lucerne (musical direction), Lucerne Festival Strings, Daniel Dodds | D Major | 1 | 10B | 129 BPM |
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