David Allen made "Take That Stand" available on February 26, 2021. With this song being about 5 minutes long, at 5:06, "Take That Stand" by David Allen is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in 20 from 60, so we believe that "Take That Stand" is a single. Based on our statistics, Take That Stand's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Take That Stand by David Allen is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chansons de Marjolie: No. 3, Celui que j’aime | Théodore Dubois, Véronique Gens, Munich Radio Orchestra, Herve Niquet | A Major | 1 | 11B | 89 BPM | ||
La Sonnambula / Act 1: Tutto è gioia, tutto è festa | Vincenzo Bellini, Isobel Buchanan, National Philharmonic Orchestra, Richard Bonynge | A♭ Major | 4 | 4B | 86 BPM | ||
Four Last Songs, TrV 296: I. Frühling | Richard Strauss, Asmik Grigorian, Mikko Franck, Orchestre Philharmonique de Radio France | E♭ Major | 0 | 5B | 69 BPM | ||
Meyerbeer: Il crociato in Egitto: "Suona funerea" (Adriano, Cavalieri) | Giacomo Meyerbeer, Michael Spyres, Christophe Rousset, Les Talens Lyriques, Le Jeune Choeur de Paris | G Major | 1 | 9B | 62 BPM | ||
La sonnambula, Act I: Prendi: l'anel ti dono - Edit | Vincenzo Bellini, Cecilia Bartoli, Juan Diego Flórez, Chor des Opernhauses Zürich, Orchestra La Scintilla, Alessandro De Marchi | E Major | 3 | 12B | 130 BPM | ||
Cherubini: Medea, Act 3: "Neris, che hai fatto" (Medea, Neris) | Luigi Cherubini, Maria Callas, Miriam Pirazzini, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | D Minor | 1 | 7A | 93 BPM | ||
Don Giovanni, K.527, Act II: Aria. "Mi tradì quest"alma ingrata" | Wolfgang Amadeus Mozart, Golda Schultz, Kammerakademie Potsdam, Antonello Manacorda | G Major | 3 | 9B | 123 BPM | ||
Le Comte Ory / Act 1: "Ciel! - O terreur, ô peine extrê" | Gioachino Rossini, Stefania Bonfadelli, Marie-Ange Todorovitch, Rosella Bevacqua, Marina de Liso, Juan Diego Flórez, Bruno Pratico, Alastair Miles, Coro da Camera di Praga, Lubomir Matl, Orchestra del Teatro Comunale di Bologna, Jesús López-Cobos | C Major | 4 | 8B | 115 BPM | ||
The Magic Flute, Act I: Sir, I was disobedient | Wolfgang Amadeus Mozart, Sir Charles Mackerras, London Philharmonic Orchestra, Rebecca Evans, John Tomlinson | E♭ Major | 2 | 5B | 131 BPM | ||
Fausto, Act I: Introduzione. Tutte volsi e rivolsi | Louise Bertin, Karine Deshayes, Les Talens Lyriques, Christophe Rousset | D Major | 4 | 10B | 95 BPM |
Section: 0.7400455474853516
End: 0.7450401782989502