- BPM
- 89
- Key
- B♭ Major
- Camelot
- 6B
The Toast of New Orleans: Be my Love - Nicholas Brodszky, Mario Lanza, Jeff Alexander Choir, Constantine Callinicos Orchestra, Ray Sinatra Information
- Acousticness
- 99%
- Danceability
- 28%
- Energy
- 28%
- Instrumentalness
- 0%
- Liveness
- 42%
- Loudness
- 82%
- Speechiness
- 3%
- Valence
- 26%
- Popularity
- 0%
- Loudness
- -10.806 dB
Summary
Nicholas Brodszky, Mario Lanza, Jeff Alexander Choir, Constantine Callinicos Orchestra, Ray Sinatra's 'The Toast of New Orleans: Be my Love' came out on May 27, 2001. The duration of The Toast of New Orleans: Be my Love is about 3 minutes long, at 3:29. Based on our data, "The Toast of New Orleans: Be my Love" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Mario Lanza's "Lanza, Mario: Mario Lanza (1949-1950)" album is number 18 out of 18. On top of that, Hong Kong appears to be the country where this track was created. The Toast of New Orleans: Be my Love is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The Toast of New Orleans: Be my Love BPM
We consider the tempo marking of The Toast of New Orleans: Be my Love by Nicholas Brodszky, Mario Lanza, Jeff Alexander Choir, Constantine Callinicos Orchestra, Ray Sinatra to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 1/4.
The Toast of New Orleans: Be my Love Key
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Ah! Tardai troppo… O luce di quest anima (from Linda di Chamounix) | Dame Joan Sutherland, Paris Conservatoire Orchestra, Nello Santi | C Major | 1 | 8B | 109 BPM | |
 | Il bacio | Luigi Arditi, Edita Gruberova, Stuttgart Radio Symphony Orchestra, Kurt Peter Eichhorn | G Major | 1 | 9B | 173 BPM | |
 | Nessun Dorma - Remastered | Beniamino Gigli | D Major | 4 | 10B | 85 BPM | |
 | Don Gil de Alcalá: "Acto II": Todas las Mañanitas: "Habanera" | Manuel Penella, Ataúlfo Argenta | B♭ Major | 2 | 6B | 89 BPM | |
 | 「ヴェネツィアの一夜」によるカドリーユ Op. 416 | Johann Strauss II, Hungarian Operetta Orchestra, Laszlo Kovacs | A♭ Major | 3 | 4B | 171 BPM | |
 | L'elisir d'Amor: Una furtiva lagrima | Carlo Bergonzi | F Minor | 3 | 4A | 63 BPM | |
 | Die Fledermaus / Act I: Nr. 4 Terzett: "So muss allein ich bleiben" | Johann Strauss II, Julia Varady, Lucia Popp, Hermann Prey, Bavarian State Orchestra, Carlos Kleiber | C Major | 2 | 8B | 131 BPM | |
 | Brahms / Orch Gamley: 5 Lieder, Op. 49: IV. Wiegenlied | Johannes Brahms, Victoria de los Ángeles, Sinfonia Of London, Rafael Frühbeck de Burgos | A Major | 1 | 11B | 121 BPM | |
 | Three Years | Nikita Bogoslovsky, Dmitri Hvorostovsky, Constantine Orbelian, Moscow Chamber Orchestra | G Major | 3 | 9B | 126 BPM | |
 | Di quella pira | Mario del Monaco | C Major | 3 | 8B | 172 BPM |
- ISRC
- HKI190103918
- Label
- L-M Records/RCA Records
Section: 0.603334903717041
End: 0.6078891754150391