"L’opéra de quat'sous, Act I: "Mac n'est pas satisfait"" by Kurt Weill, Thomas Ostermeier was released on September 22, 2023. With L’opéra de quat'sous, Act I: "Mac n'est pas satisfait" being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. This song is part of Weill, Brecht & Hauptmann: L'opéra de quat'sous by Kurt Weill, Le Balcon, Maxime Pascal. The song's track number on the album is #14 out of 57 tracks. Based on our data, France was the country where this track was produced or recorded. L’opéra de quat'sous, Act I: "Mac n'est pas satisfait" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since L’opéra de quat'sous, Act I: "Mac n'est pas satisfait" by Kurt Weill, Thomas Ostermeier has a tempo of 70 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With L’opéra de quat'sous, Act I: "Mac n'est pas satisfait" being at 70 BPM, the half-time would be 35 BPM with a double-time of 140 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 1 in E Minor: III. Juba Dance. Allegro | Florence Beatrice Price, Philadelphia Orchestra, Yannick Nézet-Séguin | C Major | 2 | 8B | 110 BPM | ||
Tango Jalousie | Jacob Gade, Yo-Yo Ma, Kathryn Stott | D Major | 1 | 10B | 78 BPM | ||
Symphonie fantastique, Op. 14: II. Un bal | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | A Major | 1 | 11B | 107 BPM | ||
Prince Igor, Act II: Polovtsian Dances, Dance IV | Alexander Borodin, Choir of Mariinsky Theatre, Saint Petersburg, Paavo Järvi, Orchestre Philharmonique de Radio France | G Major | 3 | 9B | 105 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: I. Grave | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | D Minor | 1 | 7A | 174 BPM | ||
Die Dreigroschenoper: Akt II, Die Zuhälterballade ("In einer Zeit, die nun vergangen ist") | Kurt Weill, Erich Schellow, Wolfgang Neuss, Lotte Lenya, Wilhelm Brückner-Rüggeberg | G Major | 1 | 9B | 130 BPM | ||
Don Giovanni, K.527 / Act 1: "Là ci darem la mano" | Wolfgang Amadeus Mozart, Cecilia Bartoli, Bryn Terfel, Orchestra dell'Accademia Nazionale di Santa Cecilia, Myung-Whun Chung | A Major | 1 | 11B | 89 BPM | ||
Hungarian Dance No. 1 | Philharmonix | G Minor | 2 | 6A | 166 BPM | ||
Bizet: Carmen, Act 2: "Les tringles des sistres tintaient" (Carmen, Frasquita, Mercédès) | Georges Bizet, Maria Callas, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris | C Major | 2 | 8B | 138 BPM | ||
Die Geschichte Eines Unbekannten Schauspielers (The Story of the Unknown Actor): Waltzer (Abschied) | Alfred Schnittke, Berlin Radio Symphony Orchestra, Frank Strobel | C Minor | 0 | 5A | 168 BPM |
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