Hector Berlioz, London Symphony Orchestra, Sir Colin Davis, London Symphony Chorus's 'La damnation de Faust, Op. 24, H 111, Scene 6c: "Amen"' came out on April 9, 2001. With La damnation de Faust, Op. 24, H 111, Scene 6c: "Amen" being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 10 out of 36 in Berlioz: La damnation de Faust by Hector Berlioz, London Symphony Orchestra, David Wilson-Johnson, London Symphony Chorus, Michele Pertusi, Sir Colin Davis, Enkelejda Shkosa, Giuseppe Sabbatini. In terms of popularity, La damnation de Faust, Op. 24, H 111, Scene 6c: "Amen" is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of La damnation de Faust, Op. 24, H 111, Scene 6c: "Amen" by Hector Berlioz, London Symphony Orchestra, Sir Colin Davis, London Symphony Chorus is Andante (at a walking pace), since this song has a tempo of 104 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Te Deum, Op. 22: Tibi omnes - Live | Hector Berlioz, Martin Haselböck, European Community Youth Orchestra, Claudio Abbado, London Symphony Chorus, London Philharmonic Choir, Wooburn Singers, St. Alban's School Choir, Haberdasher's Aske's School Boy's Choir, Southend Boys Choir, Desborough School Choir, The Choir of Forest School, Winnersh, The Choirboys of High Wycombe Parish Church | B Minor | 1 | 10A | 79 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | G Major | 3 | 9B | 97 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | B♭ Major | 3 | 6B | 144 BPM | ||
Music to Goethe's Tragedy "Egmont", Op. 84 | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 1 | 3B | 183 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | ||
Concerto for Clarinet and Orchestra No. 1 in F minor J114 (Op. 73): Allegro | Carl Maria von Weber, Sabine Meyer, Herbert Blomstedt, Staatskapelle Dresden | F Minor | 1 | 4A | 128 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
Rienzi: Overture | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | D Major | 3 | 10B | 99 BPM | ||
String Quintet In C, D. 956: 3. Scherzo (Presto) - Trio (Andante sostenuto) | Franz Schubert, Mstislav Rostropovich, Emerson String Quartet | C Major | 2 | 8B | 107 BPM | ||
Symphony No. 2 in C Minor "Resurrection": III. In ruhig fließender Bewegung | Gustav Mahler, Leonard Bernstein, New York Philharmonic | B Minor | 0 | 10A | 112 BPM |
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