Gioachino Rossini, Enzo Dara, Katia Ricciarelli, Ruggero Raimondi, Francisco Araiza, Cecilia Gasdia, Lucia Valentini Terrani, Lella Cuberli, Edoardo Gimenez, Samuel Ramey, Leo Nucci, Giorgio Surjan, Oslavio, di Credico, Raquel Pierotti, Antonella Bandelli, Bernadette Manca Di Nissa, Luigi De Corato, Ernesto Gavazzi, William Matteuzzi, Chamber Orchestra of Europe, Claudio Abbado, Prague Philharmonic Chorus, Lubomir Matl's 'Il viaggio a Reims: "Madame, Don Profondo, voi..."/"Più vivace e più..."' came out on 1983. With Il viaggio a Reims: "Madame, Don Profondo, voi..."/"Più vivace e più..." being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 41 in the song's album "Rossini: Il Viaggio A Reims". In this album, this song's track order is #18. Furthermore, we believe that the track originated from Germany. In terms of popularity, Il viaggio a Reims: "Madame, Don Profondo, voi..."/"Più vivace e più..." is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Il viaggio a Reims: "Madame, Don Profondo, voi..."/"Più vivace e più..." by Gioachino Rossini, Enzo Dara, Katia Ricciarelli, Ruggero Raimondi, Francisco Araiza, Cecilia Gasdia, Lucia Valentini Terrani, Lella Cuberli, Edoardo Gimenez, Samuel Ramey, Leo Nucci, Giorgio Surjan, Oslavio, di Credico, Raquel Pierotti, Antonella Bandelli, Bernadette Manca Di Nissa, Luigi De Corato, Ernesto Gavazzi, William Matteuzzi, Chamber Orchestra of Europe, Claudio Abbado, Prague Philharmonic Chorus, Lubomir Matl having a BPM of 111 with a half-time of 56 BPM and a double-time of 222 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 5 in C Minor, Op. 67: III. Allegro | Ludwig van Beethoven, Wiener Philharmoniker, Carlos Kleiber | A♭ Major | 1 | 4B | 82 BPM | ||
Pelléas et Mélisande, L.88 / Act 3: "Mes longs cheveux descendent" | Claude Debussy, Francois Le Roux, Maria Ewing, Wiener Philharmoniker, Claudio Abbado | A Minor | 1 | 8A | 123 BPM | ||
Capriccio, Op. 85, TrV 279: Mondscheinmusik | Richard Strauss, Wiener Philharmoniker, André Previn | A Major | 1 | 11B | 100 BPM | ||
La Cenerentola / Act 2: "Sì, ritrovarla io giuro" | Gioachino Rossini, William Matteuzzi, Michele Pertusi, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | F Major | 2 | 7B | 86 BPM | ||
Largo al factotum from The Barber of Seville (1959 - historic recording) | US Marine Band, Gioachino Rossini, William Jones | B♭ Major | 3 | 6B | 77 BPM | ||
Carmen, Act I, No.3 Choeur des Gamins: Rècit: Une jeune fille charmante (Moralès/Don José)Et la garde descendante rentre chez elle et s'en va (Enfants) | Georges Bizet, Ludovic Tézier/Roberto Alagna/Choeur 'Les Elements'/Orchestre National du Capitole de Toulouse/Michel Plasson, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | C Major | 1 | 8B | 126 BPM | ||
Lohengrin, WWV 75: Prelude To Act III | Richard Wagner, Wiener Philharmoniker, Karl Böhm | G Major | 3 | 9B | 120 BPM | ||
Il Barbiere di Siviglia (1996 Digital Remaster): Piano, pianissimo, senza parlar (Fiorello/Coro/Conte) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | G Major | 1 | 9B | 101 BPM | ||
Academic Festival Overture, Op. 80 | Johannes Brahms, Gewandhausorchester Leipzig, Riccardo Chailly | C Major | 2 | 8B | 77 BPM | ||
Il Barbiere di Siviglia: Ecco, ridente in cielo - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly | C Major | 1 | 8B | 126 BPM |
Section: 0.6976983547210693
End: 0.7016839981079102