Giacomo Puccini, Paolo Washington, Renata Tebaldi, Angelo Mercuriali, Carlo Bergonzi, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin's 'Madama Butterfly / Act 1: "Cio-cio-san! Cio-cio-san!"' came out on January 1, 1958. The duration of Madama Butterfly / Act 1: "Cio-cio-san! Cio-cio-san!" is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Madama Butterfly / Act 1: "Cio-cio-san! Cio-cio-san!"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 42 in the song's album "Puccini: Madama Butterfly". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United Kingdom. The popularity of Madama Butterfly / Act 1: "Cio-cio-san! Cio-cio-san!" is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Madama Butterfly / Act 1: "Cio-cio-san! Cio-cio-san!" by Giacomo Puccini, Paolo Washington, Renata Tebaldi, Angelo Mercuriali, Carlo Bergonzi, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin having a BPM of 164 with a half-time of 82 BPM and a double-time of 328 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wiegenlied, Op. 49, No. 4 | Johannes Brahms, Renée Fleming, Hartmut Höll | E♭ Major | 0 | 5B | 92 BPM | ||
Gianni Schicchi (Oper in 1 Akt) | Mirella Freni | A♭ Major | 2 | 4B | 174 BPM | ||
Carmen, Opera Suite No. 1: I. Prelude, Act 1 | London Festival Orchestra Alfred Scholz | G Minor | 1 | 6A | 47 BPM | ||
Die Zauberflöte, K.620 / Act 2: "Der Hölle Rache kocht in meinem Herzen" | Wolfgang Amadeus Mozart, Erika Miklósa, Mahler Chamber Orchestra, Claudio Abbado | F Major | 1 | 7B | 71 BPM | ||
Lucia di Lammermoor / Act 1: "Regnava nel silenzio" | Gaetano Donizetti, Dame Joan Sutherland, Huguette Tourangeau, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Minor | 1 | 6A | 86 BPM | ||
La Wally / Act 1: Ebben? Ne andrò lontana | Alfredo Catalani, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | E Minor | 1 | 9A | 73 BPM | ||
Julius Caesar, HWV 17, Act III Scene 1: Flow, my tears (Cleopatra) | George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Valerie Masterson | E Major | 0 | 12B | 72 BPM | ||
Madame Butterfly, 1. Akt: Vogliatemi bene (Mona Lisa): Act II: Un bel di, vedremo | Giacomo Puccini, Jozef Abel, Nelly Boschkowa, Miriam Gauci, Helena Hanzelova, Vladimir Kubovcik, Alžbeta Michálková, Yordy Ramiro, Jozef Spacek, Maria Stahelova, Robert Szücs, Georg Tichy, Ana Tomkovicova, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Alexander Rahbari | D♭ Major | 0 | 3B | 82 BPM | ||
Casanova: Nuns' Chorus | Johann Strauss II, Kiri Te Kanawa, The Tabernacle Choir at Temple Square, Utah Symphony Orchestra, Julius Rudel | F♯ Major | 2 | 2B | 100 BPM | ||
La Traviata, Teil 3 | La Traviata | B♭ Major | 0 | 6B | 0 BPM |
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