"La Wally / Act 1: Ebben? Ne andrò lontana" by Alfredo Catalani, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras was released on January 1, 2000. With this song being about 5 minutes long, at 5:05, "La Wally / Act 1: Ebben? Ne andrò lontana" by Alfredo Catalani, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 14 in the song's album "Renée Fleming". In this album, this song's track order is #7. La Wally / Act 1: Ebben? Ne andrò lontana is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La Wally / Act 1: Ebben? Ne andrò lontana by Alfredo Catalani, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vier Lieder, Op. 27, TrV 170: 4. Morgen | Richard Strauss, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | G Major | 3 | 9B | 76 BPM | ||
Les Contes d'Hoffmann (1989 Digital Remaster), Act III: Entr'acte et Barcarolle: Belle nuit, ô nuit d'amour (Une voix/Giulietta/Choeurs) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 1 | 10B | 90 BPM | ||
Coronation Ode, Op. 44: VI. Finale "Land of Hope and Glory" | Edward Elgar, Royal Choral Society, Andrew Davis, London Philharmonic Orchestra | G Major | 0 | 9B | 121 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Major | 1 | 12B | 84 BPM | ||
Il barbiere di Siviglia / Act 1: "Largo al factotum" | Gioachino Rossini, Leo Nucci, Orchestra del Teatro Comunale di Bologna, Giuseppe Patanè | G Major | 2 | 9B | 69 BPM | ||
Life and Works: Rusalka (Act I: Song to the Moon) | Sean Barrett | F♯ Major | 0 | 2B | 126 BPM | ||
Dvorák: Symphony No. 9 in E Minor, Op. 95, B. 178, "From the New World": II. Largo (Opening) | Antonín Dvořák, London Philharmonic Orchestra, Angela Tennick, Sir Charles Mackerras | D♭ Major | 0 | 3B | 73 BPM | ||
Louise, Act III: Depuis le jour | Gustave Charpentier, Kathleen Battle, Orchestre de l’Opéra national de Paris, Myung-Whun Chung | G Major | 1 | 9B | 90 BPM | ||
Mozart: Le nozze di Figaro, K. 492, Act 1: Aria. "Non più andrai, farfallone amoroso" (Figaro) | Wolfgang Amadeus Mozart, Bernard Haitink, Claudio Desderi, London Philharmonic Orchestra | E Major | 3 | 12B | 125 BPM | ||
Carmen, WD 31 / Act 1: "L'amour est un oiseau rebelle" (Havanaise) | Georges Bizet, Tatiana Troyanos, John Alldis Choir, London Philharmonic Orchestra, Sir Georg Solti | G Major | 1 | 9B | 122 BPM |
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