"L'orfana russa: Amor cagion possente" by Pietro Raimondi, Julie Fuchs, Orchestre national d'île-de-France, Enrique Mazzola was released on February 15, 2019. The duration of L'orfana russa: Amor cagion possente is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. L'orfana russa: Amor cagion possente's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Julie Fuchs's "Mademoiselle" album is number 4 out of 12. L'orfana russa: Amor cagion possente is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of L'orfana russa: Amor cagion possente by Pietro Raimondi, Julie Fuchs, Orchestre national d'île-de-France, Enrique Mazzola to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
E Lucevan Le Stelle (Tosca), 900861: Puccini: E Lucevan Le Stelle (Tosca) - E Lucevan Le Stelle (Tosca) | Giacomo Puccini, Charles Castronovo, Munich Radio Orchestra, Ivan Repušić | F Minor | 3 | 4A | 121 BPM | ||
Messa di Gloria: XV. Et vitam | Giacomo Puccini, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Pablo Larraz, Orfeó Català | D Major | 1 | 10B | 64 BPM | ||
‘Neath My Lattice Through the Night (The Rose of Persia): ‘Neath My Lattice Through the Night (The Rose of Persia) | Arthur Sullivan, Erin Morley, Gerald Martin Moore, Ransom Wilson | B Major | 1 | 1B | 117 BPM | ||
Fajer: Pompeo magno in Armenia, Act 3: "Grato oblio, soave pace" (Giulia) | Francisco Javier García Fajer, Bruno de Sá, Francesco Corti, Il Pomo D'oro | D Major | 1 | 10B | 124 BPM | ||
Messa da Requiem for Soloists, Chorus and Orchestra: I. Requiem & Kyrie | Giuseppe Verdi, Leonard Bernstein, London Symphony Orchestra | A Major | 1 | 11B | 83 BPM | ||
Mozart: Don Giovanni, K. 527, Act 2: "In quali eccessi" - "Mi tradì quell'alma ingrata" (Donna Elvira) | Wolfgang Amadeus Mozart, Sir Neville Marriner, Amanda Roocroft, Academy of St. Martin in the Fields, John Constable, Stephen Orton | E♭ Major | 1 | 5B | 75 BPM | ||
Misatango, Misa a Buenos Aires: VII. Et incarnatus est | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | F Minor | 2 | 4A | 86 BPM | ||
Paulus, Op. 36, MWV A14 / Part 1: No. 19 Rezitativ: "Es war aber ein Jünger" | Felix Mendelssohn, Hans Peter Blochwitz, Gundula Janowitz, Gewandhausorchester, Kurt Masur | C Major | 1 | 8B | 79 BPM | ||
Missa solemnis in D Major, Op. 123: I. Kyrie: Kyrie eleison. Tempo primo | Ludwig van Beethoven, Jordi Savall, Le Concert Des Nations | D Major | 1 | 10B | 74 BPM | ||
Requiem, Responsorium: IV. Tremens factus | Niccolò Jommelli, Coro e Orchestra Ghislieri, Giulio Prandi, Sandrine Piau | E♭ Major | 0 | 5B | 80 BPM |
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