"Sacred Concerto No. 6, "Slava vo vishnikh Bohu" (Glory to God in the highest): III. Andante" by Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma was released on June 4, 2013. With Sacred Concerto No. 6, "Slava vo vishnikh Bohu" (Glory to God in the highest): III. Andante being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 18 out of 31 in Bortniansky: I cried out to the Lord: Hymns and Choral Concertos by Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma. In terms of popularity, Sacred Concerto No. 6, "Slava vo vishnikh Bohu" (Glory to God in the highest): III. Andante is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sacred Concerto No. 6, "Slava vo vishnikh Bohu" (Glory to God in the highest): III. Andante by Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
E♭ Minor is the music key of this track. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Exultate Justi | Lodovico Grossi da Viadana, Voices of Ascension Chorus, Dennis Keene | A Major | 1 | 11B | 78 BPM | ||
Sacred Concerto No. 17, "Kol' vozlyublenna seleniya tvoya, Hospodi" (How lovely is thy dwelling plac: I. How amiable are thy tabernacles, o Lord of hosts! — | Dmitry Bortniansky, State Symphony Capella of Russia, Valery Polyansky | B♭ Major | 1 | 6B | 82 BPM | ||
Stetit Angelus | Millikin University Choir | A Minor | 1 | 8A | 86 BPM | ||
Sacred Concerto No. 15, "Priidite, vospoim lyudiye" (Come, let us praise in song, O people): I. Allegro maestoso | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | D Major | 2 | 10B | 129 BPM | ||
Der Mensch lebt und bestehet nur eine kleine Zeit | Max Reger, Vienna Chamber Choir, Michael Grohotolsky | C Major | 1 | 8B | 97 BPM | ||
You Know Me | Kristina Arakelyan, Anna Lapwood, The Pembroke College Girls’ Choir, Joseph Beadle | C Minor | 3 | 5A | 176 BPM | ||
Three Sacred Hymns: III. Vater unser | Alfred Schnittke, RIAS Kammerchor, Hans-Christoph Rademann | E♭ Major | 1 | 5B | 75 BPM | ||
Vecheri tvoeya tainïya (Of Thy mystical supper), Op. 58 | Alexander Gretchaninov, Alexei Buzakin, St.Petersburg Chamber Choir, Nikolai Korniev | E Major | 0 | 12B | 87 BPM | ||
Mass for unaccompanied double choir: IV. Sanctus | Frank Martin, RIAS Kammerchor, Daniel Reuss | D Major | 1 | 10B | 85 BPM | ||
Hosanna to the Son of David | Thomas Weelkes, Andrew Fletcher, Ex Cathedra, Jeffrey Skidmore | B♭ Minor | 2 | 3A | 132 BPM |
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