"Sacred Concerto No. 15, "Priidite, vospoim lyudiye" (Come, let us praise in song, O people): I. Allegro maestoso" by Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma was released on June 4, 2013. The duration of Sacred Concerto No. 15, "Priidite, vospoim lyudiye" (Come, let us praise in song, O people): I. Allegro maestoso is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Sacred Concerto No. 15, "Priidite, vospoim lyudiye" (Come, let us praise in song, O people): I. Allegro maestoso's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 31 in Bortniansky: I cried out to the Lord: Hymns and Choral Concertos by Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma. Based on our statistics, Sacred Concerto No. 15, "Priidite, vospoim lyudiye" (Come, let us praise in song, O people): I. Allegro maestoso's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sacred Concerto No. 15, "Priidite, vospoim lyudiye" (Come, let us praise in song, O people): I. Allegro maestoso by Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
O lux beata Trinitas | Andrej Makor, BYU Singers, Andrew Crane | F♯ Major | 1 | 2B | 106 BPM | ||
Liturgy Of St. John Chrysostom, Op. 31: Come, Let Us Worship | Lege Artis Chamber Choir, Boris Abalyan | D Minor | 1 | 7A | 79 BPM | ||
Cherubic Hymn No. 4 | SOFIA ORTHODOX CHOIR | B♭ Major | 1 | 6B | 79 BPM | ||
Allegri: Miserere - 03. Tibi Soli Peccavi | The Tallis Scholars, Peter Phillips | B♭ Major | 1 | 6B | 77 BPM | ||
Vier Lieder aus dem Jungbrunnen, Op. 44: IV. Und gehst du über den Kirchhof | Johannes Brahms, Paul Heyse, Kvindelige Studenters Sangforening, Marit Tøndel Bodsberg | D♭ Major | 4 | 3B | 81 BPM | ||
Dieu, qu'il l'a fait bon regarder | Claude Debussy, Norddeutscher Figuralchor, Jörg Straube | A♭ Minor | 0 | 1A | 85 BPM | ||
St Anne’s Mass: III. Sanctus | James MacMillan, Cappella Nova, Alan Tavener | D Major | 1 | 10B | 76 BPM | ||
Evening Service in B Minor, Op. 6: II. Nunc dimittis | T. Tertius Noble, Bristol Cathedral Choir, Ian Ball, Christopher Brayne | G Major | 1 | 9B | 174 BPM | ||
St. Petersburg "A Heavenly Splendour from on High" | Dmitry Bortniansky, Wakefield Cathedral Choir, Louise Marsh, Jonathan Bielby, Unknown Artist | B♭ Major | 1 | 6B | 104 BPM | ||
6 Songs, Op. 48: No. 4. Die Ehre Gottes aus der Natur, "Die Himmel ruhmen des Ewigen Ehre" (arr. C. Reinecke) | Carl Reinecke, Ludwig van Beethoven, Carl Maria von Weber Men's Choir, Berlin, Andreas Wiedermann | D Major | 1 | 10B | 77 BPM |
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