Valérie Karsenti, Herbert von Karajan, Wiener Philharmoniker made "La marche vers la caverne" available on November 6, 2013. With La marche vers la caverne being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Valérie Karsenti, Herbert von Karajan, Wiener Philharmoniker's "La flûte enchantée" album is number 13 out of 20. La marche vers la caverne is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of La marche vers la caverne by Valérie Karsenti, Herbert von Karajan, Wiener Philharmoniker to be Larghetto (rather broadly) because the track has a tempo of 62 BPM, a half-time of 31BPM, and a double-time of 124 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Schöpfung, Hob. XXI:2, Erster Teil: I. Einleitung "Die Vorstellung des Chaos" | Joseph Haydn, Collegium Vocale Gent, Orchestre des Champs-Élysées, Philippe Herreweghe | C Minor | 1 | 5A | 80 BPM | ||
Mozart: Die Zauberflöte, K. 620, Act 2: "Bald prangt, den Morgen zu verkünden" (Die Knaben, Pamina) | Wolfgang Amadeus Mozart, Lucia Popp, Bernard Haitink, Bayerischer Rundfunk, Sinfonie-Orchester Des Bayerischen Rundfunks | A♭ Minor | 1 | 1A | 74 BPM | ||
Beethoven: 12 Contredanses, WoO 14: No. 3 D Major | Ludwig van Beethoven, Sir Neville Marriner, Academy of St. Martin in the Fields | C Minor | 1 | 5A | 169 BPM | ||
Grande Messe en ut mineur, K. 427: Credo | Wolfgang Amadeus Mozart, Orchestre & Chorale Paul Kuentz, Barbara Schlick, Mechthild Georg, Alexander Stevenson, Philip Langshaw | C Major | 2 | 8B | 90 BPM | ||
Iphigénie en Tauride, Wq. 46 (Excerpts): Patrie infortunée | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Pilar Lorengar | G Major | 1 | 9B | 86 BPM | ||
La Traviata: Choeur des bohémiens | Orchestre symphonique de la Radiodiffusion bavaroise | A Major | 2 | 11B | 122 BPM | ||
Offenbach: La belle Hélène: Overture (Allegro - Allegro non troppo - Allegro) | Jacques Offenbach, Marc Minkowski, Les Musiciens du Louvre.Grenoble | A Major | 2 | 11B | 82 BPM | ||
Marche - Intégrale | Orchestre Philharmonique de Slovaquie, Ondrej Lenard | E Minor | 2 | 9A | 152 BPM | ||
Mass in C Major, Op. 86: Gloria: Qui tollis peccata mundi | Ludwig van Beethoven, Katherine van Kampen, Ingeborg Danz, Keith Lewis, Michel Brodard, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | C Major | 0 | 8B | 136 BPM | ||
Die Zauberflöte, K.620 / Act 1: "Bei Männern, welche Liebe fühlen" | Wolfgang Amadeus Mozart, Edith Mathis, Gottfried Hornik, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 1 | 5B | 119 BPM |
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