Wolfgang Amadeus Mozart, Orchestre & Chorale Paul Kuentz, Barbara Schlick, Mechthild Georg, Alexander Stevenson, Philip Langshaw's 'Grande Messe en ut mineur, K. 427: Credo' came out on 1995. The duration of Grande Messe en ut mineur, K. 427: Credo is about 3 minutes long, at 3:27. Based on our data, "Grande Messe en ut mineur, K. 427: Credo" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Wolfgang Amadeus Mozart, Orchestre & Chorale Paul Kuentz, Barbara Schlick, Mechthild Georg's "Mozart : Grande Messe en ut mineur, K 427" album is number 9 out of 12. On top of that, France appears to be the country where this track was created. In terms of popularity, Grande Messe en ut mineur, K. 427: Credo is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Grande Messe en ut mineur, K. 427: Credo by Wolfgang Amadeus Mozart, Orchestre & Chorale Paul Kuentz, Barbara Schlick, Mechthild Georg, Alexander Stevenson, Philip Langshaw to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mass in D Major, Op. 86 / Kyrie: Ia. Kyrie I | Antonín Dvořák, Helga Hein-Guardian, Verena Keller, Arthur Janzen, Hartmut Hein, Jorg Zettler, Motettenchor Stuttgart, Günter Graulich | D Major | 2 | 10B | 79 BPM | ||
Le nozze di Figaro, K. 492 / Act 1: "Cinque... deci... venti..." - "Cosa stai misurando" | Wolfgang Amadeus Mozart, Samuel Ramey, Lucia Popp, London Philharmonic Orchestra, Sir Georg Solti | A Major | 1 | 11B | 132 BPM | ||
Mozart: Requiem in D Minor, K. 626: VI. Recordare | Wolfgang Amadeus Mozart, Caroline Maria Petrig/Christel Borchers/Peter Straka/Mathias Hölle/Philharmonischer Chor München/Münchner Philharmoniker/Sergiù Celibidache, Philharmonischer Chor München, Sergiu Celibidache, Munich Philharmonic Orchestra | G Major | 2 | 9B | 141 BPM | ||
Requiem: Requiem: I. Introitus. Requiem aeternam. II. Kyrie | Johann Christian Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | F Major | 2 | 7B | 83 BPM | ||
Stabat Mater en fa mineur pour soprano, alto & orgue: Quando corpus morietur Amen | Giovanni Battista Pergolesi, Orchestre Paul Kuentz, Barbara Schlick, Christa Menke | B♭ Minor | 1 | 3A | 129 BPM | ||
Christus am Ölberge, Op. 85: 6c. "Welten singen Dank und Ehre" | Ludwig van Beethoven, Wiener Symphoniker, Bernhard Klee, Wiener Singverein, Helmut Froschauer | C Major | 3 | 8B | 106 BPM | ||
Missa Brevis In C Major Kv 259, Orgelsolo Messe: Credo | Nicol Matt, Kurpfälzisches Kammerorchester Mannheim, Nordic Chamber Choir, Chrisof Fischesser, Reinhard Geller, Barbara Werner, Petra Labitzke, Daniel Sans, Jens Wollenschläger, Wolfgang Amadeus Mozart | C Major | 3 | 8B | 100 BPM | ||
Requiem In D Minor, K. 626: Communion: Lux Aeterna | Slovak Philharmonic, Jozef Kundlák, Jaroslava Horska, Peter Mikulas, Stefan Klimo, Slovak Philharmonic Chorus, Vladimir Ruso, Magdaléna Hajóssyová, Wolfgang Amadeus Mozart | B♭ Major | 2 | 6B | 89 BPM | ||
Mass in C Major, Op. 86: Gloria: Quoniam tu solus Sanctus | Ludwig van Beethoven, Katherine van Kampen, Ingeborg Danz, Keith Lewis, Michel Brodard, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | C Major | 0 | 8B | 136 BPM | ||
Die Entfuhrung Aus Dem Serail (Abduction From The Seraglio), K. 384: Final Chorus | Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Wolfgang Amadeus Mozart, C. F. Bretzner | D Minor | 4 | 7A | 72 BPM |
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