The Bartered Bride B143: Dance of the Comedians (Skocná)
Bedřich Smetana, Royal Philharmonic Orchestra/Rudolf Kempe, Rudolf Kempe, Royal Philharmonic Orchestra
Classic Experience IV
4:17 1993
BPM
77
Key
C Major
Camelot
8B

Embed

Share Link

The Bartered Bride B143: Dance of the Comedians (Skocná) - Bedřich Smetana, Royal Philharmonic Orchestra/Rudolf Kempe, Rudolf Kempe, Royal Philharmonic Orchestra Information

Acousticness
80%
Danceability
41%
Energy
20%
Instrumentalness
5%
Liveness
30%
Loudness
71%
Speechiness
3%
Valence
23%
Popularity
Loudness
-17.256 dB

Summary

Bedřich Smetana, Royal Philharmonic Orchestra/Rudolf Kempe, Rudolf Kempe, Royal Philharmonic Orchestra's 'The Bartered Bride B143: Dance of the Comedians (Skocná)' came out on 1993. With this song being around four minutes long, at 4:17, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 12 out of 33 in Classic Experience IV by Various Artists. The Bartered Bride B143: Dance of the Comedians (Skocná) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

The Bartered Bride B143: Dance of the Comedians (Skocná) BPM

The tempo marking of The Bartered Bride B143: Dance of the Comedians (Skocná) by Bedřich Smetana, Royal Philharmonic Orchestra/Rudolf Kempe, Rudolf Kempe, Royal Philharmonic Orchestra is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

The Bartered Bride B143: Dance of the Comedians (Skocná) Key

C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Thaïs: Méditation by Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo GuerreroThaïs: MéditationJules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo GuerreroD Major010B84 BPM
14 Romances, Op. 34: No. 14 Vocalise (Arr. Kocsis for Piano) by Sergei Rachmaninoff, Yuja Wang14 Romances, Op. 34: No. 14 Vocalise (Arr. Kocsis for Piano)Sergei Rachmaninoff, Yuja WangD♭ Minor012A62 BPM
Orpheus' Klage (Orfeo ed Euridice) by Christoph Willibald Gluck, Wilhelm Kempff, Matti RaekallioOrpheus' Klage (Orfeo ed Euridice)Christoph Willibald Gluck, Wilhelm Kempff, Matti RaekallioD Minor07A69 BPM
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato by Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester LeipzigBruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderatoMax Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester LeipzigE♭ Major15B113 BPM
Preghiera (Arr. by Fritz Kreisler from Piano Concerto No. 2 in C Minor, Op. 18, 2nd Movement) by Sergei Rachmaninoff, Gidon Kremer, Daniil TrifonovPreghiera (Arr. by Fritz Kreisler from Piano Concerto No. 2 in C Minor, Op. 18, 2nd Movement)Sergei Rachmaninoff, Gidon Kremer, Daniil TrifonovC Major18B104 BPM
Symphonic Studies, Op. 13 - Version 1852 with Etudes from 1837 version: Variation II. Marcato il canto by Robert Schumann, Mikhail PletnevSymphonic Studies, Op. 13 - Version 1852 with Etudes from 1837 version: Variation II. Marcato il cantoRobert Schumann, Mikhail PletnevD♭ Minor112A69 BPM
Variations On An Original Theme, Op.36 Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo)Edward Elgar, BBC Symphony Orchestra, Leonard BernsteinG Minor06A81 BPM
Kinderszenen, Op.15: 12. Kind im Einschlummern by Robert Schumann, Martha ArgerichKinderszenen, Op.15: 12. Kind im EinschlummernRobert Schumann, Martha ArgerichE Minor09A123 BPM
Kinderszenen, Op. 15: No. 7, Träumerei by Robert Schumann, Vladimir HorowitzKinderszenen, Op. 15: No. 7, TräumereiRobert Schumann, Vladimir HorowitzF Major07B114 BPM
Adagio in F, H.XVII No.9 by Franz Joseph Haydn, Alfred BrendelAdagio in F, H.XVII No.9Franz Joseph Haydn, Alfred BrendelF Major07B71 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.8198757171630859

End: 0.8238131999969482