Robert Schumann, Vladimir Horowitz's 'Kinderszenen, Op. 15: No. 7, Träumerei' came out on 1962. The duration of Kinderszenen, Op. 15: No. 7, Träumerei is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Kinderszenen, Op. 15: No. 7, Träumerei's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "Schumann: Kinderszenen; Arabesque; Fantasie; Träumerei". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. In terms of popularity, Kinderszenen, Op. 15: No. 7, Träumerei is currently average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Kinderszenen, Op. 15: No. 7, Träumerei by Robert Schumann, Vladimir Horowitz having a BPM of 114 with a half-time of 57 BPM and a double-time of 228 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
5 Pieces, Op. 75, "The Trees": No. 3 Aspen | Jean Sibelius, Håvard Gimse | A♭ Minor | 0 | 1A | 0 BPM | ||
Exercises in Free Improvisation Part II - Remastered | Vladimir Horowitz | D♭ Major | 2 | 3B | 112 BPM | ||
Nocturne No. 4 in A Major | John Field, Benjamin Frith | A Major | 0 | 11B | 69 BPM | ||
Fantasia in D Minor, K. 397 | Wolfgang Amadeus Mozart, Seong-Jin Cho | D Major | 1 | 10B | 130 BPM | ||
24 Préludes, Op. 28: No. 4 in E Minor | Frédéric Chopin, Martha Argerich | A Minor | 0 | 8A | 51 BPM | ||
Requiem, Op. 48:IV. Pie Jesu (Arr. for Piano) | Gabriel Fauré, Emile Naoumoff | G Major | 1 | 9B | 99 BPM | ||
Drei Intermezzi, Op. 117: I. Andante moderato | Johannes Brahms, Arcadi Volodos | E♭ Major | 0 | 5B | 75 BPM | ||
Variations On A Theme By Chopin: Variation 1. Tranquillo e molto amabile | Federico Mompou, Daniil Trifonov | A Major | 0 | 11B | 66 BPM | ||
Etude Op. 10 no. 1 in C Major | Valentina Lisitsa | C Major | 2 | 8B | 88 BPM | ||
Nocturne No. 10 In E Minor | Benjamin Frith, John Field | E Minor | 0 | 9A | 65 BPM |
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