"3 Pieces for Orchestra, Op. 6: No. 3, Marsch" by Alban Berg, Wiener Philharmoniker, Claudio Abbado was released on January 1, 1995. Since 3 Pieces for Orchestra, Op. 6: No. 3, Marsch is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 11 out of 11 in Berg: Three Orchestral Pieces by Alban Berg, Anne Sofie von Otter, Wiener Philharmoniker, Claudio Abbado. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, 3 Pieces for Orchestra, Op. 6: No. 3, Marsch's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 3 Pieces for Orchestra, Op. 6: No. 3, Marsch by Alban Berg, Wiener Philharmoniker, Claudio Abbado is Allegro (fast, quick, and bright), since this song has a tempo of 122 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Britten: Serenade for Tenor, Horn and Strings, Op. 31: I. Prologue | Benjamin Britten, Ian Bostridge | C Major | 0 | 8B | 69 BPM | ||
Sonata for cello and piano: I. Allegro - Tempo di Marcia | Francis Poulenc, Alexandre Tharaud, Jean-Guihen Queyras | A♭ Major | 1 | 4B | 131 BPM | ||
4 Etudes de rythme: Ile de feu I (Isle of Fire I) | Olivier Messiaen, Håkon Austbø | E Major | 2 | 12B | 120 BPM | ||
Don Quixote, Op. 35, TrV 184: Maggiore | Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock | E Major | 0 | 12B | 169 BPM | ||
Children's Corner (arr. A. Caplet for orchestra): The Little Shepherd | Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam | D Major | 0 | 10B | 78 BPM | ||
Shostakovich: Cello Concerto No. 2 in G Major, Op. 126: II. Allegretto | Dmitri Shostakovich, Gautier Capuçon, Valery Gergiev, Mariinsky Orchestra of Saint Petersburg | G Major | 2 | 9B | 113 BPM | ||
Variaciones Concertantes, Op. 23: III. Variazione giocosa per flauto | Alberto Ginastera, Magdalena Barrera, Orquesta Ciudad De Granada, Josep Pons | E Minor | 1 | 9A | 136 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: V. Adagio, molto tranquilo | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | E Minor | 1 | 9A | 125 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: IV. Adagio | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | D Major | 1 | 10B | 82 BPM | ||
Ibert: Jeux (Sonatine for Flute and Piano): II. Tendre | Jacques Ibert, Eric Le Sage | B Major | 1 | 1B | 80 BPM |
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