David Alagna, Indra Thomas, Orchestre national d'île-de-France, Michel Plasson's 'Le dernier jour d'un condamné / Acte II: Il est dix heures... Encore six heures et je serai morte!' had a release date set for January 1, 2008. With this song being around four minutes long, at 4:09, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in David Alagna, Roberto Alagna, Indra Thomas, Richard Rittelmann, Jean-Philippe Lafont, Chœur régional Vittoria d'Ile de France, Orchestre national d'île-de-France, Michel Plasson's "Le Dernier Jour D'Un Condamné" album is number 6 out of 41. On top of that, France appears to be the country where this track was created. Le dernier jour d'un condamné / Acte II: Il est dix heures... Encore six heures et je serai morte! is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Le dernier jour d'un condamné / Acte II: Il est dix heures... Encore six heures et je serai morte! by David Alagna, Indra Thomas, Orchestre national d'île-de-France, Michel Plasson to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Yet, Here I Am: I. Intrada | Karl Jenkins, Lucy Crowe, World Orchestra For Peace, World Choir for Peace, Nicol Matt, Jody Jenkins, Alexander Duggan | F Major | 4 | 7B | 120 BPM | ||
Bachianas brasileiras No. 5, W. 389: 1. Aria (Cantilena) | Heitor Villa-Lobos, Nadine Sierra, Royal Philharmonic Orchestra, Robert Spano | F Major | 1 | 7B | 165 BPM | ||
Zlatne suze | Stijepo Gleđ Markos | D Major | 6 | 10B | 80 BPM | ||
Le dernier jour d'un condamné / Acte I: Huit pieds carrés. Quatre murailles de pierre | David Alagna, Roberto Alagna, Orchestre national d'île-de-France, Michel Plasson | D♭ Major | 1 | 3B | 78 BPM | ||
Le Ciel De Paris | Channing Geoffrey | A Minor | 1 | 8A | 86 BPM | ||
Vaghissima sembianza - Voice | Stefano Donaudy, Carlo Bergonzi | A Major | 1 | 11B | 127 BPM | ||
Mozart: Le nozze di Figaro, K. 492, Act 2: "Voi che sapete" (Cherubino) | Wolfgang Amadeus Mozart, Joyce DiDonato, Kazushi Ono, Orchestre De L'Opéra National De Lyon | E Major | 2 | 12B | 91 BPM | ||
Galathée, Act I: Que dis-tu ? (Galathée) | Victor Massé, Jodie Devos, Brussels Philharmonic, Pierre Bleuse | D Major | 2 | 10B | 99 BPM | ||
Deux mélodies, Op. 46: No. 2, Clair de lune | Dilyana Georgieva, Galina Apostolova | G Major | 2 | 9B | 86 BPM | ||
Loreley / Act 2: "Amor, celeste ebbrezza" | Alfredo Catalani, Maria Chiara, National Philharmonic Orchestra, Kurt Herbert Adler | G Major | 1 | 9B | 81 BPM |