- BPM
- 165
- Key
- F Major
- Camelot
- 7B
Bachianas brasileiras No. 5, W. 389: 1. Aria (Cantilena) - Heitor Villa-Lobos, Nadine Sierra, Royal Philharmonic Orchestra, Robert Spano Information
- Acousticness
- 96%
- Danceability
- 14%
- Energy
- 7%
- Instrumentalness
- 79%
- Liveness
- 11%
- Loudness
- 66%
- Speechiness
- 5%
- Valence
- 4%
- Popularity
- 10%
- Loudness
- -20.398 dB
Summary
"Bachianas brasileiras No. 5, W. 389: 1. Aria (Cantilena)" by Heitor Villa-Lobos, Nadine Sierra, Royal Philharmonic Orchestra, Robert Spano was released on August 24, 2018. Since Bachianas brasileiras No. 5, W. 389: 1. Aria (Cantilena) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 13 in the song's album "There's a Place for Us". In this album, this song's track order is #2. The popularity of Bachianas brasileiras No. 5, W. 389: 1. Aria (Cantilena) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Bachianas brasileiras No. 5, W. 389: 1. Aria (Cantilena) BPM
With Bachianas brasileiras No. 5, W. 389: 1. Aria (Cantilena) by Heitor Villa-Lobos, Nadine Sierra, Royal Philharmonic Orchestra, Robert Spano having a BPM of 165 with a half-time of 82 BPM and a double-time of 330 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
Bachianas brasileiras No. 5, W. 389: 1. Aria (Cantilena) Key
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | 3 Pieces, Op. 2: No. 1 in C-Sharp Minor | Alexander Scriabin, Garrick Ohlsson | D♭ Minor | 0 | 12A | 128 BPM | |
 | Loutky (Puppets), H. 92: No. 1. Pierrotovo zastavenicko (Pierrot's Serenade) | Bohuslav Martinů, Giorgio Koukl | G Minor | 0 | 6A | 169 BPM | |
 | Rhapsodie | Marcel Grandjany, Judy Loman | F Minor | 1 | 4A | 96 BPM | |
 | 13 Pieces for Piano, Op. 76: Elegiaco, No. 10 | Jean Sibelius, Leif Ove Andsnes | E Major | 0 | 12B | 169 BPM | |
 | Fantasía para un gentilhombre for Guitar and Small Orchestra: III. Danza de las hachas (Allegro con brio) | Joaquín Rodrigo, Göran Söllscher, Orpheus Chamber Orchestra | D Minor | 0 | 7A | 121 BPM | |
 | Toccata, Op. 11 | Sergei Prokofiev, Martha Argerich | G Minor | 1 | 6A | 96 BPM | |
 | Petite suite, L65: En bateau | Claude Debussy, Lestari Scholtes, Gwylim Janssens | G Major | 0 | 9B | 67 BPM | |
 | Orientale | César Cui, Yehuda Hanani, Eliot Fisk | G Minor | 0 | 6A | 171 BPM | |
 | Berceuse, S. 174 | Franz Liszt, Benjamin Grosvenor | D♭ Major | 0 | 3B | 136 BPM | |
 | Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7998397350311279
End: 0.8032925128936768