"Deux mélodies, Op. 46: No. 2, Clair de lune" by Dilyana Georgieva, Galina Apostolova was released on January 5, 2016. The duration of Deux mélodies, Op. 46: No. 2, Clair de lune is about 3 minutes long, at 3:22. Based on our data, "Deux mélodies, Op. 46: No. 2, Clair de lune" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 10 out of 16 in Après un rêve by Dilyana Georgieva, Galina Apostolova. Deux mélodies, Op. 46: No. 2, Clair de lune is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Deux mélodies, Op. 46: No. 2, Clair de lune by Dilyana Georgieva, Galina Apostolova is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Petite Messe solennelle - for 4 Soloists and Orchestra - Credo: Crucifixus | Gioachino Rossini, Daniela Dessi, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A♭ Major | 1 | 4B | 85 BPM | ||
Wesendonck Lieder, WWV 91 (Arr. Fontanelli for Voice and Ensemble): No. 1, Der Engel | Richard Wagner, Kathrin Zukowski, KammerMusikKöln | E♭ Major | 1 | 5B | 69 BPM | ||
Lullaby (Arr. for Mezzo-soprano, Violin and Piano by Nicolas Worms) | Parsegh Ganatchian, Eva Zaïcik, David Haroutunian, Xénia Maliarevitch | D Minor | 1 | 7A | 88 BPM | ||
Mefistofele, Act I, Scene 2: Dai campi, dai prati | Arrigo Boito, Vittorio Grigolo, Pier Giorgio Morandi, Czech National Symphony Orchestra | F Major | 1 | 7B | 170 BPM | ||
二つの悲しき旋律: 第2曲: 過ぎし春 | Edvard Grieg, 石田泰尚, 石田組 | F Major | 1 | 7B | 74 BPM | ||
L'heure exquise | Stephanie Puchalla | B Major | 2 | 1B | 151 BPM | ||
Le nozze di Figaro, K. 492, Act 4: L'ho perduta me meschina! (Arr. for Countertenor & String Quartet by Eric Mouret) | Wolfgang Amadeus Mozart, Théophile Alexandre, Quatuor Zaïde | B Minor | 1 | 10A | 128 BPM | ||
Requiem, Op. 9: V. Pie Jesu | Maurice Duruflé, Yves Castagnet, Anaïs Bertrand, Anaïs Moreau, Henri Chalet | D Major | 0 | 10B | 67 BPM | ||
Deux romances, L. 78: No. 1, L'âme évaporée | Dilyana Georgieva, Galina Apostolova | D Major | 3 | 10B | 124 BPM | ||
Magnificat: No. 6, Esurientes implevit | Clive Osgood, London Mozart Players, Amy Carson, Robert Lewis | E Minor | 2 | 9A | 104 BPM |
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