"Petite Messe solennelle - for 4 Soloists and Orchestra - Credo: Crucifixus" by Gioachino Rossini, Daniela Dessi, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly was released on April 2, 2021. The duration of Petite Messe solennelle - for 4 Soloists and Orchestra - Credo: Crucifixus is about 3 minutes long, at 3:19. Based on our data, "Petite Messe solennelle - for 4 Soloists and Orchestra - Credo: Crucifixus" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 12 out of 57 in Easter Classical by Johann Sebastian Bach, Wolfgang Amadeus Mozart, George Frideric Handel. Petite Messe solennelle - for 4 Soloists and Orchestra - Credo: Crucifixus is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Petite Messe solennelle - for 4 Soloists and Orchestra - Credo: Crucifixus by Gioachino Rossini, Daniela Dessi, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lucia di Lammermoor / Act 3: Oh, giusto cielo!...Il dolce suono | Gaetano Donizetti, Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Minor | 1 | 4A | 92 BPM | ||
Il bacio | Luigi Arditi, Edita Gruberova, Stuttgart Radio Symphony Orchestra, Kurt Peter Eichhorn | G Major | 1 | 9B | 173 BPM | ||
Donna Diana: Overture | Emil Nikolaus von Reznicek, Leonard Bernstein, New York Philharmonic | A Major | 5 | 11B | 102 BPM | ||
Rossini: Il barbiere di Siviglia, Act 1: "All'idea di quel metallo" (Figaro, Count Almaviva) | Gioachino Rossini, Tito Gobbi, Alceo Galliera, Luigi Alva, Philharmonia Orchestra | G Major | 3 | 9B | 116 BPM | ||
Il barbiere di Siviglia / Act 1: "Ma signor..." "Zitto tu!" | Gioachino Rossini, Stefania Malagu, Teresa Berganza, Luigi Alva, Enzo Dara, Hermann Prey, Paolo Montarsolo, Luigi Roni, Ambrosian Opera Chorus, London Symphony Orchestra, Claudio Abbado | C Major | 4 | 8B | 95 BPM | ||
Donizetti: Lucia di Lammermoor, Act 3: "Il dolce suono ... Ardon gli incensi" (Lucia, Raimondo, Normanno, Chorus) | Gaetano Donizetti, Maria Callas, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin | C Minor | 1 | 5A | 86 BPM | ||
Hungarian Dance No.6 In D Flat | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | D Major | 2 | 10B | 153 BPM | ||
Carmen, Opera Suite No. 1: IV. Aragonaise, Act 4 | London Festival Orchestra Alfred Scholz | D Minor | 1 | 7A | 123 BPM | ||
The Bartered Bride: Overture | Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek | F Major | 2 | 7B | 145 BPM | ||
Procession of the Sardar from Caucasian Sketches, Op.10 - Instrumental | Mikhail Ippolitov-Ivanov, Eugene Ormandy, Philadelphia Orchestra | E Major | 4 | 12B | 107 BPM |
Section: 0.737586498260498
End: 0.7434332370758057