- BPM
- 65
- Key
- E Major
- Camelot
- 12B
Les Contes d'Hoffmann / Act 4: "Tourne, tourne, miroir" - Jacques Offenbach, Samuel Ramey, Staatskapelle Dresden, Jeffrey Tate Information
- Acousticness
- 99%
- Danceability
- 50%
- Energy
- 8%
- Instrumentalness
- 0%
- Liveness
- 36%
- Loudness
- 59%
- Speechiness
- 7%
- Valence
- 52%
- Popularity
- 1%
- Loudness
- -24.392 dB
Summary
Jacques Offenbach, Samuel Ramey, Staatskapelle Dresden, Jeffrey Tate made "Les Contes d'Hoffmann / Act 4: "Tourne, tourne, miroir"" available on January 1, 1992. With Les Contes d'Hoffmann / Act 4: "Tourne, tourne, miroir" being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 59 in the song's album "Offenbach: Les Contes d'Hoffmann". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Netherlands. Les Contes d'Hoffmann / Act 4: "Tourne, tourne, miroir" is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Les Contes d'Hoffmann / Act 4: "Tourne, tourne, miroir" BPM
With Les Contes d'Hoffmann / Act 4: "Tourne, tourne, miroir" by Jacques Offenbach, Samuel Ramey, Staatskapelle Dresden, Jeffrey Tate having a BPM of 65 with a half-time of 32 BPM and a double-time of 130 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
Les Contes d'Hoffmann / Act 4: "Tourne, tourne, miroir" Key
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Prince Igor, Act II: Polovtsian Dances, Dance II | Alexander Borodin, Choir of Mariinsky Theatre, Saint Petersburg, Paavo Järvi, Orchestre Philharmonique de Radio France | A Major | 1 | 11B | 75 BPM | |
 | Carmen, Opera Suite No. 2: IV. Chanson du Toreador (Act 2) | London Festival Orchestra, Alfred Scholz | F Major | 1 | 7B | 113 BPM | |
 | A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.9 Wedding March | Felix Mendelssohn, Boston Symphony Orchestra, Seiji Ozawa | C Major | 2 | 8B | 74 BPM | |
 | Legends, Op. 59, B. 122: VI. Allegro con moto | Antonín Dvořák, Cristian Măcelaru, WDR Sinfonieorchester | C Minor | 1 | 5A | 72 BPM | |
 | La damnation de Faust, Op. 24, Part II: Ballet des syphes (Dance of the Spirits) | Hector Berlioz, Hungarian National Philharmonic, Ádám Fischer | D Major | 0 | 10B | 80 BPM | |
 | Carmina Burana / III. Cour d'amours: "In trutina" | Carl Orff, Gundula Janowitz, Orchester der Deutschen Oper Berlin, Eugen Jochum | G Major | 0 | 9B | 89 BPM | |
 | Ruslan and Lyudmila, Op. 5: Overture | Mikhail Glinka, Taras Shtonda, Ekaterina Morozova, Vadim Lynkovsky, Aleksandra Durseneva, Panfilov, Maria Gavrilova, Valery Gilmanov, Maksim Paster, Irina Dolzhenko, Bolshoi Theatre Orchestra, Alexander Vedernikov | E Minor | 1 | 9A | 154 BPM | |
 | Rigoletto / Act 1: "Gualtier Maldè...Caro nome" | Giuseppe Verdi, Dame Joan Sutherland, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli | E Major | 0 | 12B | 85 BPM | |
 | Die tote Stadt (The Dead City), Op. 12: Act I Scene 5: Gluck, das mir verblieb (Marietta, Paul) | Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | B♭ Major | 1 | 6B | 83 BPM | |
 | El sombrero de tres picos, Pt. 1: III. Danza de la molinera | Manuel de Falla, Carlos Miguel Prieto, The Orchestra of the Americas | D Major | 1 | 10B | 121 BPM |
- ISRC
- NLA508543645
- Label
- L-M Records/RCA Records
Section: 0.7776086330413818
End: 0.7807796001434326