Benjamin Britten, Eugene Ormandy, Philadelphia Orchestra's 'The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): Variation IX: Harp (Maestoso)' came out on May 2, 1978. With The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): Variation IX: Harp (Maestoso) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 28 out of 41 in David Bowie narrates Prokofiev's Peter and the Wolf & The Young Person's Guide to the Orchestra by David Bowie, Eugene Ormandy. Based on our statistics, The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): Variation IX: Harp (Maestoso)'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): Variation IX: Harp (Maestoso) by Benjamin Britten, Eugene Ormandy, Philadelphia Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jeux d'enfants, Op. 22: V. The Ball | Georges Bizet, Barry Wordsworth, London Symphony Orchestra | A Major | 5 | 11B | 97 BPM | ||
Symphony No. 1 in E Minor: IV. Finale. Presto | Florence Beatrice Price, Philadelphia Orchestra, Yannick Nézet-Séguin | E Minor | 1 | 9A | 76 BPM | ||
War Requiem, Op. 66: xii. Dies Irae - Dies irae | Benjamin Britten, Gianandrea Noseda, Sabina Cvilak, London Symphony Chorus, London Symphony Orchestra | B♭ Minor | 0 | 3A | 77 BPM | ||
La Bayadere, Act I, Scene 1: 12. "Finale" | Evergreen Symphony Orchestra, Kevin Galiè | E Minor | 2 | 9A | 132 BPM | ||
The Sword in the Stone Suite (Arr. O. Knussen & C. Matthews): IV. Bird Music | Oliver Knussen, Colin Matthews, Benjamin Britten, Ohio State University Wind Symphony, Russel C. Mikkelson | E Minor | 2 | 9A | 112 BPM | ||
Peter Grimes, Op. 13: Act III Scene I: Embroidery in childhood was (Ellen, Balstrode) | Benjamin Britten, Giselle Allen, David Kempster, Steuart Bedford, Britten-Pears Orchestra | B Minor | 1 | 10A | 89 BPM | ||
Götterdämmerung, WWV 86D / Prologue: Orchesterzwischenspiel (Siegfrieds Rheinfahrt) | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | B♭ Major | 2 | 6B | 82 BPM | ||
Prokofiev: Romeo and Juliet (Complete Ballet), Op. 64, Act 2: No. 33, Tybalt and Mercutio fight | Sergei Prokofiev, André Previn, London Symphony Orchestra | A♭ Major | 4 | 4B | 159 BPM | ||
Eine Alpensinfonie, Op.64, TrV 233: 5. Wanderung neben dem Bache | Richard Strauss, David Bell, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 1 | 4B | 103 BPM | ||
Eine Alpensinfonie, Op.64, TrV 233: 12. Gefahrvolle Augenblicke | Richard Strauss, David Bell, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 95 BPM |
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