Evergreen Symphony Orchestra, Kevin Galiè's 'La Bayadere, Act I, Scene 1: 12. "Finale"' came out on February 26, 2018. With La Bayadere, Act I, Scene 1: 12. "Finale" being less than two minutes long, at 1:00, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Evergreen Symphony Orchestra, Kevin Galiè's "La Bayadère" album is number 12 out of 53. Based on our statistics, La Bayadere, Act I, Scene 1: 12. "Finale"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La Bayadere, Act I, Scene 1: 12. "Finale" by Evergreen Symphony Orchestra, Kevin Galiè to be Allegro (fast, quick, and bright) because the track has a tempo of 132 BPM, a half-time of 66BPM, and a double-time of 264 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Bayadere, Act I, Scene 2: 17. "High Brahmin and Rajah" | Evergreen Symphony Orchestra, Kevin Galiè | C Minor | 0 | 5A | 162 BPM | ||
Eine Alpensinfonie, Op.64, TrV 233: 18. Stille vor dem Sturm | Richard Strauss, David Bell, Berliner Philharmoniker, Herbert von Karajan | F Minor | 0 | 4A | 133 BPM | ||
Don Quixote, Op. 35, TrV 184: Finale (Sehr ruhig) | Richard Strauss, Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 3 | 5B | 102 BPM | ||
Symphony No. 3 in D Minor, Op. 41: II. Scherzo. Allegro assai | Franz Paul Lachner, Evergreen Symphony Orchestra, Gernot Schmalfuss | D Major | 3 | 10B | 109 BPM | ||
Ein Sommernachtstraum (A Midsummer Night's Dream) Ouvertüre, Op.21 & Schauspielmusik, Op.61: No. 1 Scherzo - Allegro vivace | Felix Mendelssohn, Claudio Abbado, Berliner Philharmoniker | A Minor | 2 | 8A | 96 BPM | ||
Chamber Symphony, Op.110a - orch. Barshai: 2. Allegro molto (attacca:) | Dmitri Shostakovich, Chamber Orchestra of Europe, Rudolf Barshai | G Major | 6 | 9B | 103 BPM | ||
Manon Ballet - Arranged and orchestrated by Leighton Lucas with the collaboration of Hilda Gaunt / Act 3: Scene 2 - The Goaler's rooms in New Orleans | Jules Massenet, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | A♭ Major | 0 | 4B | 80 BPM | ||
Eine Alpensinfonie, Op. 64, TrV 233: IV. Eintritt in den Wald | Richard Strauss, David Bell, Berliner Philharmoniker, Herbert von Karajan | F Minor | 2 | 4A | 71 BPM | ||
Mussorgsky: Pictures at an Exhibition: No. 11, Limoges, le marché (La grande nouvelle) | Modest Mussorgsky, Berliner Philharmoniker, Sir Simon Rattle | G Major | 1 | 9B | 87 BPM | ||
Don Quixote, Op. 35, TrV 184: Variation VII (Ein wenig ruhiger als vorher) | Richard Strauss, Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 3 | 5B | 102 BPM |
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