Florence Beatrice Price, Philadelphia Orchestra, Yannick Nézet-Séguin's 'Symphony No. 1 in E Minor: IV. Finale. Presto' came out on September 24, 2021. With this song being about 5 minutes long, at 4:52, "Symphony No. 1 in E Minor: IV. Finale. Presto" by Florence Beatrice Price, Philadelphia Orchestra, Yannick Nézet-Séguin is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 4 out of 8 in Florence Price: Symphonies Nos. 1 & 3 by Florence Beatrice Price, Philadelphia Orchestra, Yannick Nézet-Séguin. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Symphony No. 1 in E Minor: IV. Finale. Presto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 1 in E Minor: IV. Finale. Presto by Florence Beatrice Price, Philadelphia Orchestra, Yannick Nézet-Séguin is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Barber: Adagio for Strings, Op. 11 | Samuel Barber, Eugene Ormandy, Philadelphia Orchestra | B♭ Minor | 1 | 3A | 80 BPM | ||
Stravinsky: Petrouchka, Tableau IV "La foire du mardi gras": Le Marchand fêtard et deux Tziganes (1947 Version) | Igor Stravinsky, Riccardo Muti, Philadelphia Orchestra | C Major | 0 | 8B | 123 BPM | ||
Borne: Fantaisie brillante sur Carmen | Françoise Borne, Emmanuel Pahud, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | G Major | 1 | 9B | 140 BPM | ||
Suite pastorale: II. Danse villageoise | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | A Major | 1 | 11B | 126 BPM | ||
Carmen Fantasy, Op. 25: Introduction. Allegro moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | C Major | 3 | 8B | 135 BPM | ||
La Mer, L.109: 1. From Dawn Till Noon On The Sea (De l'aube à midi sur la mer) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | F♯ Major | 1 | 2B | 61 BPM | ||
Suite pastorale: IV. Scherzo-Valse | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 161 BPM | ||
Habanera | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | A Major | 0 | 11B | 128 BPM | ||
Symphony No. 1 in D Major "Titan": III. Feierlich und gemessen, ohne zu schleppen | Gustav Mahler, Leonard Bernstein, New York Philharmonic | A♭ Major | 0 | 4B | 72 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 9. Nimrod (Adagio) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | E♭ Major | 0 | 5B | 79 BPM |
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