"Relâche, Act II: La femme rejoint son fauteuil" by Erik Satie, Orchestre Symphonique et Lyrique de Nancy, Jerome Kaltenbach was released on June 14, 1999. With Relâche, Act II: La femme rejoint son fauteuil being less than two minutes long, at 1:34, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 41 in the song's album "Satie: Parade, Gymnopédies, Mercure & Relâche". In this album, this song's track order is #40. Based on our statistics, Relâche, Act II: La femme rejoint son fauteuil's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Relâche, Act II: La femme rejoint son fauteuil by Erik Satie, Orchestre Symphonique et Lyrique de Nancy, Jerome Kaltenbach having a BPM of 143 with a half-time of 72 BPM and a double-time of 286 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 5/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
El cant dels ocells (Song of the Birds) (version for cello and orchestra) | Pablo Casals, Harriet Krijgh, Deutsche Staatsphilharmonie Rheinland-Pfalz, Gustavo Gimeno | A Minor | 0 | 8A | 89 BPM | ||
Gymnopédie No. 1 | Erik Satie, Francis Poulenc | G Major | 0 | 9B | 91 BPM | ||
Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato | Edward Elgar, Sheku Kanneh-Mason, London Symphony Orchestra, Sir Simon Rattle | E Minor | 1 | 9A | 102 BPM | ||
Erik Satie: Gymnopédie No. 3 | Pyotr Godunov | A Minor | 0 | 8A | 132 BPM | ||
Nisi Dominus, RV 608: 4. Cum dederit dilectis suis (Arr. Cello) | Antonio Vivaldi, Harriet Krijgh, Amsterdam Sinfonietta, Candida Thompson | G Minor | 0 | 6A | 106 BPM | ||
Ballade | Luke Faulkner | E Minor | 1 | 9A | 138 BPM | ||
Nocturnes, Op. 9, No. 2 in E-Flat Major | Olga Scheps | B♭ Major | 0 | 6B | 65 BPM | ||
Brahms / Transcr. Reger: 5 Lieder, Op. 49: No. 4, Wiegenlied | Johannes Brahms, Bertrand Chamayou | E♭ Major | 1 | 5B | 69 BPM | ||
Miroirs: III. Une barque sur l'océan | Maurice Ravel, André Laplante | D Major | 0 | 10B | 76 BPM | ||
Three Romances, Op. 11: No. 1 in E-Flat Minor, Andante | Clara Schumann, Sara Costa | E♭ Minor | 1 | 2A | 134 BPM |
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