Johann Hermann Schein, Cantus Cölln's 'O Amarilli, schönste Zier' came out on August 27, 1989. The duration of O Amarilli, schönste Zier is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. O Amarilli, schönste Zier's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johann Hermann Schein, Cantus Cölln's "J.H.Schein: Diletti Pastorali" album is number 13 out of 22. On top of that, Germany appears to be the country where this track was created. Based on our statistics, O Amarilli, schönste Zier's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of O Amarilli, schönste Zier by Johann Hermann Schein, Cantus Cölln to be Allegro (fast, quick, and bright) because the track has a tempo of 126 BPM, a half-time of 63BPM, and a double-time of 252 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
All'imperio d'Amore: 7. Ineffabile ardore a 6 "Il rapimento di Cefalo" | Giulio Caccini, Ensemble Pygmalion, Raphael Pichon, Deborah Cachet, Zachary Wilder, Lucile Richardot, Davy Cornillot, Virgile Ancely, Maïlys De Villoutreys | B♭ Major | 3 | 6B | 103 BPM | ||
La Favolla d'Apollo: 17. O mille volte a 8 "La Pellegrina" | Luca Marenzio, Ensemble Pygmalion, Raphael Pichon | G Major | 4 | 9B | 92 BPM | ||
Schein: Suite No. 2 in D Minor (from "Banchetto musicale, 1617"): II. Gagliarda a 5 | Johann Hermann Schein, Hespèrion XX, Jordi Savall | C Major | 1 | 8B | 113 BPM | ||
Vespro della Beata Vergine, SV 206: XIIIc. Magnificat "Quia respexit humilitatem" | Claudio Monteverdi, Philippe Herreweghe, Stephan Gähler, Vincent Lesage, Johannes Gaubitz, Sören Richter, Collegium Vocale Gent | F Major | 2 | 7B | 76 BPM | ||
Mori, mi dici (I) | Alessandro Scarlatti, Cappella Mediterranea, Leonardo García-Alarcón, Ana Vieira Leite, Mariana Flores, Léo Fernique, Valerio Contaldo, Matteo Bellotto | B♭ Minor | 0 | 3A | 110 BPM | ||
Lachrimae or Seven Tears: IV. Lachrimae tristes | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
St. John Passion, BWV 245 / Part One: Chorus: "Jesu, deine Passion" | Johann Sebastian Bach, The Hilliard Ensemble | A♭ Major | 1 | 4B | 81 BPM | ||
Tenebrae Responsories, Feria quinta: IV. Amicus meus | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | A Minor | 1 | 8A | 131 BPM | ||
Vespro della Beata Vergine, SV 206: IX. Concerto "Audi coelum" | Claudio Monteverdi, Philippe Herreweghe, Samuel Boden, Dorothee Mields, Barbora Kabátková, Benedict Hymas, William Knight, Peter Kooij, Collegium Vocale Gent | B♭ Minor | 0 | 3A | 75 BPM | ||
Crucifixus a 8 voci | Antonio Lotti, Ensemble Zene, Bruno Kele-Baujard | C Major | 1 | 8B | 124 BPM |
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