"Suite liturgique: III. Alleluia" by André Jolivet, Christiane Karg, Stefan Schilli, Marco Postinghel, Sebastian Klinger, Cristina Bianchi, Oliver Triendl was released on October 1, 2013. The duration of Suite liturgique: III. Alleluia is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Suite liturgique: III. Alleluia's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in André Jolivet, Stefan Schilli, Christiane Karg, Cristina Bianchi, Marco Postinghel, Sebastian Klinger, Oliver Triendl's "Jolivet: Chamber Music for Oboe and Cor Anglais" album is number 12 out of 17. On top of that, Germany appears to be the country where this track was created. Suite liturgique: III. Alleluia is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Suite liturgique: III. Alleluia by André Jolivet, Christiane Karg, Stefan Schilli, Marco Postinghel, Sebastian Klinger, Cristina Bianchi, Oliver Triendl to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mercure: I. Ouverture | Erik Satie, Ronald Corp, New London Orchestra | D Major | 3 | 10B | 122 BPM | ||
Eleven Partite diverse sopra "Sei gegrüßet, Jesu gütig": Variation I | Johann Sebastian Bach, Ralph Downes | F Major | 2 | 7B | 66 BPM | ||
Angel, Poem-Nocturne | Theodore Akimenko, Bournemouth Symphony Orchestra, Kirill Karabits | E Major | 1 | 12B | 77 BPM | ||
Gavotte, Op. 67, No. 2 | David Popper, Peter Breiner, Maria Kliegel, Nicolaus Esterhazy Sinfonia, Gerhard Markson | F Major | 1 | 7B | 76 BPM | ||
Jolivet: Suite en concert pour flûte et percussions: III. Hardiment | André Jolivet, Jean-Pierre Rampal, Jean-Claude Casadesus, Jean-Pierre Drouet, Diego Masson, Jean-Charles François | E Minor | 0 | 9A | 73 BPM | ||
Concerto for Clarinet and Saxophone, "Laurentian Reflections": III. Laurentian Rapids | Maya Badian, Iurie Frotovcean, Alexei Litvin, Moldova Tele-Radio National Symphony Orchestra, Gheorghe Mustea | B Minor | 4 | 10A | 105 BPM | ||
The Tempest Suite No. 1, Op. 109, No. 2: I. The Oak Tree | Jean Sibelius, Lahti Symphony Orchestra, Okko Kamu | B♭ Major | 0 | 6B | 86 BPM | ||
Stück für Flötenuhr nr. 30 | The Royal Wind Music | B♭ Major | 1 | 6B | 112 BPM | ||
Summer Night - Suite from 'The Duenna', Op. 123: 2. Serenade | Bournemouth Symphony Orchestra, Paavo Berglund | C Major | 1 | 8B | 117 BPM | ||
Suite liturgique: VI. Benedictus | André Jolivet, Christiane Karg, Stefan Schilli, Marco Postinghel, Sebastian Klinger, Cristina Bianchi, Oliver Triendl | D Minor | 2 | 7A | 89 BPM |
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