Erik Satie, Ronald Corp, New London Orchestra made "Mercure: I. Ouverture" available on October 23, 1989. With Mercure: I. Ouverture being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 47 in the song's album "Satie: Parade, Gymnopédies, Gnossiennes & Other Works for Orchestra". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Mercure: I. Ouverture's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Mercure: I. Ouverture by Erik Satie, Ronald Corp, New London Orchestra having a BPM of 122 with a half-time of 61 BPM and a double-time of 244 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Satie: 6 Pièces froides, Pt. 2: Danses de travers, III. Encore | Erik Satie, Anne Queffélec | A Minor | 0 | 8A | 87 BPM | ||
Shostakovich: Symphony No. 5 in D Minor, Op. 47: II. Allegretto | Dmitri Shostakovich, Paavo Berglund, Bournemouth Symphony Orchestra | C Major | 1 | 8B | 138 BPM | ||
Meditating Orchestra | Anton Bruckner, Rundfunk Sinfonieorchester Berlin, Heinz Rögner | D♭ Major | 0 | 3B | 87 BPM | ||
Symphony Fantastique in C Major, Op 14: III. Scene aux champs - Adagio | Hector Berlioz, Alberto Lizzio, Süddeutsche Philharmonie | F Major | 1 | 7B | 73 BPM | ||
Symphony No. 3 in F Major, Op. 90: IV. Allegro - Un poco sostenuto (4) | Johannes Brahms, Netherlands Philharmonic Orchestra, Jaap Van Zweden | F Major | 0 | 7B | 67 BPM | ||
Variaciones Concertantes, Op. 23: IV. Variazione in modo di scherzo per clarinetto | Alberto Ginastera, Magdalena Barrera, Orquesta Ciudad De Granada, Josep Pons | E Minor | 1 | 9A | 100 BPM | ||
Piano Concerto No. 2 in G Minor, Op. 16: II. Scherzo. Vivace | Sergei Prokofiev, Andrei Korobeinikov, Ural Philharmonic Orchestra, Dmitry Liss | B Minor | 2 | 10A | 124 BPM | ||
Funeral March in Memory of Richard Nordraak, EG 107 (Orch. H. Wood) | Edvard Grieg, London Philharmonic Orchestra, Nicholas Braithwaite | C Major | 3 | 8B | 65 BPM | ||
Clarinet Sonata, FP 184: III. Allegro con fuoco – Très animé | Francis Poulenc, Nash Ensemble | A Major | 1 | 11B | 82 BPM | ||
The Seasons, Op. 67, Pt. 1 "L'hiver": No. 5, Variation de la grêle | Alexander Glazunov, Zagreb Philharmonic Orchestra, Dmitri Kitayenko | C Major | 1 | 8B | 138 BPM |
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