Jolivet: Suite en concert pour flûte et percussions: III. Hardiment - André Jolivet, Jean-Pierre Rampal, Jean-Claude Casadesus, Jean-Pierre Drouet, Diego Masson, Jean-Charles François Information

Acousticness: 96%
Danceability: 50%
Energy: 3%
Instrumentalness: 86%
Liveness: 8%
Loudness: 54%
Speechiness: 13%
Valence: 18%
Popularity: 0%
Loudness: -27.39 dB

Summary

"Jolivet: Suite en concert pour flûte et percussions: III. Hardiment" by André Jolivet, Jean-Pierre Rampal, Jean-Claude Casadesus, Jean-Pierre Drouet, Diego Masson, Jean-Charles François was released on January 1, 1967. The duration of Jolivet: Suite en concert pour flûte et percussions: III. Hardiment is about 3 minutes long, at 3:00. Based on our data, "Jolivet: Suite en concert pour flûte et percussions: III. Hardiment" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in André Jolivet, Jean-Pierre Rampal, Orchestre des Concerts Lamoureux's "Jolivet: Suite en concert, Incantations & Concerto pour flûte" album is number 3 out of 14. On top of that, United Kingdom appears to be the country where this track was created. Jolivet: Suite en concert pour flûte et percussions: III. Hardiment is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Jolivet: Suite en concert pour flûte et percussions: III. Hardiment BPM

We consider the tempo marking of Jolivet: Suite en concert pour flûte et percussions: III. Hardiment by André Jolivet, Jean-Pierre Rampal, Jean-Claude Casadesus, Jean-Pierre Drouet, Diego Masson, Jean-Charles François to be Adagio (slowly with great expression) because the track has a tempo of 73 BPM, a half-time of 36BPM, and a double-time of 146 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Jolivet: Suite en concert pour flûte et percussions: III. Hardiment Key

E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
The Music Makers, Op. 69: I. Introduction. Moderato	Edward Elgar, Sarah Connolly, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Simon Wright	G Major	2	9B	85 BPM
Schön Rosmarin	Fritz Kreisler, Michael Collins, Michael McHale	G Major	1	9B	104 BPM
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): IV. Fileuse - Allegretto moderato	Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger	G Major	0	9B	90 BPM
Deep River (Arr. J. Lenehan for Clarinet & Piano)	Traditional, Helen Habershon, John Lenehan	E♭ Major	0	5B	63 BPM
Mythes, Op. 30, M29: No. 1, La fontaine d'Aréthuse	Karol Szymanowski, Elizabeth Chang, Steven Beck	E♭ Minor	2	2A	174 BPM
Piano Concerto No. 1 in A Major, Sz. 83: I. Allegro moderato — Allegro	Béla Bartók, Pierre-Laurent Aimard, San Francisco Symphony, Esa-Pekka Salonen	C Major	2	8B	114 BPM
Sonata "Undine" Op. 167 for Flute and Piano: I. Allegro	Carl Reinecke, Jasmine Choi	E Minor	1	9A	108 BPM
Dvorak Cello Concerto	Belize Ensemble	E Major	1	12B	103 BPM
Symphony No. 2: I. Sostenuto - Allegro molto	Kurt Weill, Konzerthausorchester Berlin, Joana Mallwitz	F Minor	2	4A	169 BPM
Stravinsky: The Rite of Spring, Pt. 1 "Adoration of the Earth": VIII. Dance of the Eart	Igor Stravinsky, San Francisco Symphony, Esa-Pekka Salonen	D Minor	3	7A	114 BPM

ISRC: GBAYC1500358
Label: L-M Records/RCA Records

Section: 0.6723358631134033

End: 0.6759884357452393