- BPM
- 95
- Key
- D Major
- Camelot
- 10B
Fausto, Act II: Finale. Fra quell’ombra - Louise Bertin, Karina Gauvin, Marie Gautrot, Karine Deshayes, Ante Jerkunica, Les Talens Lyriques, Christophe Rousset Information
- Acousticness
- 93%
- Danceability
- 30%
- Energy
- 40%
- Instrumentalness
- 0%
- Liveness
- 20%
- Loudness
- 81%
- Speechiness
- 6%
- Valence
- 16%
- Popularity
- 0%
- Loudness
- -11.108 dB
Summary
"Fausto, Act II: Finale. Fra quell’ombra" by Louise Bertin, Karina Gauvin, Marie Gautrot, Karine Deshayes, Ante Jerkunica, Les Talens Lyriques, Christophe Rousset was released on January 26, 2024. Fausto, Act II: Finale. Fra quell’ombra is about six minutes long, preciously at 6:28, making this song fairly long compared to other songs. The track order of this song in Louise Bertin, Les Talens Lyriques, Christophe Rousset, Flemish Radio Choir's "Louise Bertin: Fausto" album is number 20 out of 36. On top of that, Italy appears to be the country where this track was created. In terms of popularity, Fausto, Act II: Finale. Fra quell’ombra is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Fausto, Act II: Finale. Fra quell’ombra BPM
We consider the tempo marking of Fausto, Act II: Finale. Fra quell’ombra by Louise Bertin, Karina Gauvin, Marie Gautrot, Karine Deshayes, Ante Jerkunica, Les Talens Lyriques, Christophe Rousset to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
Fausto, Act II: Finale. Fra quell’ombra Key
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Die Entführung aus dem Serail, K. 384, Act I: Ach ich liebte, war so glücklich - Remastered 2024 | Wolfgang Amadeus Mozart, Wilma Lipp, Heinz Woester, Peter Klein, Walther Ludwig, Endre Koreh, Wiener Philharmoniker, Josef Krips | B♭ Major | 1 | 6B | 96 BPM | |
 | Don Sanche (The Castle of Love), S476/R13: Part I: Recitative and Arioso: Sous cette voute de feuillage ... (Under this foliage tent, Zelis ...) (Elzire, Don Sanche) | Franz Liszt, Gérard Garino, Julia Hamari, Istvan Gati, Katalin Farkas, Ildiko Komlosi, Mária Zádori, Gábor Kállay, Hungarian Radio and Television Chorus, Hungarian State Opera Orchestra, Tamas Pal | E Major | 2 | 12B | 90 BPM | |
 | Macbeth: La luce langue | Giuseppe Verdi, Dolora Zajick, Charles Rosekrans, Royal Philharmonic Orchestra | E♭ Major | 4 | 5B | 96 BPM | |
 | Poème d'un jour, Op. 21: No. 1, Rencontre | Gabriel Fauré, Stéphane Degout, Alain Planès | D♭ Major | 7 | 3B | 90 BPM | |
 | Cimarosa: Il sacrificio d’Abramo: "Chi per pietà mi dice" - "Deh, parlate" (Sara) | Domenico Cimarosa, Sir Neville Marriner, Amanda Roocroft, Academy of St. Martin in the Fields, John Constable, Stephen Orton | E♭ Major | 1 | 5B | 75 BPM | |
 | Fausto, Act III: Scena. Vergogna! | Louise Bertin, Karina Gauvin, Flemish Radio Choir, Les Talens Lyriques, Christophe Rousset | D Major | 4 | 10B | 95 BPM | |
 | Pagliacci: La Commedia: Paliaccio, mio marito (Nedda) | Ruggero Leoncavallo, Victoria de los Ángeles, Jussi Björling, George Cehanovsky, Paul Franke, Leonard Warren, Richard Wright, Robert Merrill, Columbus Boychoir, Robert Shaw Chorale, RCA Victor Orchestra, Renato Cellini | C Major | 1 | 8B | 93 BPM | |
 | Le nozze di Figaro, K.492, Act IV: Aria. "Deh vieni non tardar" | Wolfgang Amadeus Mozart, Golda Schultz, Kammerakademie Potsdam, Antonello Manacorda | G Major | 3 | 9B | 123 BPM | |
| Die Entführung aus dem Serail, K. 384, Act II: Welche Wonne, welche Lust - Remastered 2024 | Wolfgang Amadeus Mozart, Emmy Loose, Peter Klein, Wiener Philharmoniker, Josef Krips | B♭ Major | 1 | 6B | 96 BPM | |
| Poème d'un jour, Op. 21: No. 3, Adieu | Gabriel Fauré, Stéphane Degout, Alain Planès | D♭ Major | 7 | 3B | 90 BPM |
- ISRC
- ITJXZ2400120
- Label
- L-M Records/RCA Records
Section: 0.652824878692627
End: 0.657050371170044