"Macbeth: La luce langue" by Giuseppe Verdi, Dolora Zajick, Charles Rosekrans, Royal Philharmonic Orchestra was released on July 25, 2000. With this song being around four minutes long, at 4:11, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "The Art of the Dramatic Mezzo-Soprano". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United States. In terms of popularity, Macbeth: La luce langue is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Macbeth: La luce langue by Giuseppe Verdi, Dolora Zajick, Charles Rosekrans, Royal Philharmonic Orchestra having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Der Freischütz, J. 277 / Act I: Walzer | Carl Maria von Weber, Staatskapelle Dresden, Carlos Kleiber | A Major | 4 | 11B | 182 BPM | ||
La Bohème: Mi chiamano Mimi | Mirella Freni | D Major | 2 | 10B | 74 BPM | ||
Nabucco: Overture | Giuseppe Verdi, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | C Major | 1 | 8B | 89 BPM | ||
Norma (1997 Digital Remaster): Casta Diva | Maria Callas, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano | F Major | 1 | 7B | 169 BPM | ||
The Tale Of Tsar Saltan: 3. The Flight Of The Bumble-Bee | Nikolai Rimsky-Korsakov, Philharmonia Orchestra, Vladimir Ashkenazy | D Minor | 0 | 7A | 187 BPM | ||
Verdi: Otello, Act 4: "Ave Maria" (Desdemona) | Giuseppe Verdi, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | A♭ Major | 1 | 4B | 88 BPM | ||
Madame Butterfly: "Addio fiorito asil" | Mario del Monaco | D♭ Major | 4 | 3B | 88 BPM | ||
L'elisir d'amore / Act II: "Una furtiva lagrima" | Gaetano Donizetti, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | B♭ Minor | 1 | 3A | 87 BPM | ||
La Traviata / Act 2: "Ah, vive sol quel core" | Giuseppe Verdi, Plácido Domingo, Walter Gullino, Paul Winter, Sherrill Milnes, Bavarian State Orchestra, Carlos Kleiber | F Minor | 1 | 4A | 99 BPM | ||
Bizet: Carmen, WD 31, Act 1 Scene 10: No. 10, Séguedille et Duo, "Près des remparts de Séville" (Carmen, Don José) | Georges Bizet, Maria Callas, Nicolai Gedda, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Paris Opera Orchestra | D Major | 1 | 10B | 83 BPM |
Section: 0.5715441703796387
End: 0.5763516426086426