Gabriel Fauré, Stéphane Degout, Alain Planès made "Poème d'un jour, Op. 21: No. 3, Adieu" available on May 17, 2024. The duration of Poème d'un jour, Op. 21: No. 3, Adieu is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Poème d'un jour, Op. 21: No. 3, Adieu's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 29 in Fauré: La Bonne Chanson - L'Horizon chimérique - Ballade - Mélodies by Gabriel Fauré, Stéphane Degout, Alain Planès. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Poème d'un jour, Op. 21: No. 3, Adieu is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Poème d'un jour, Op. 21: No. 3, Adieu by Gabriel Fauré, Stéphane Degout, Alain Planès is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Haugtussa, Op. 67: V. Elsk | Charlotte Hoather, George Todica | C Major | 2 | 8B | 104 BPM | ||
Méhul: Joseph: "Vainement Pharaon" - "Champs paternels" (Joseph) | Étienne Nicolas Méhul, Michael Spyres, Christophe Rousset, Les Talens Lyriques | E Major | 1 | 12B | 129 BPM | ||
The Folly of Desire: Leda and the Swan | Brad Mehldau, Ian Bostridge | E Major | 1 | 12B | 70 BPM | ||
An die ferne Geliebte, Op. 98: No. 3, Leichte Segler in den Höhen | Ludwig van Beethoven, Mark Padmore, Mitsuko Uchida | A♭ Major | 0 | 4B | 144 BPM | ||
Requiem, Op. 48: VII. Libera me | Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France, Stéphane Degout | D Minor | 1 | 7A | 74 BPM | ||
Quatre chansons françaises: No. 1, Nuits de juin | Benjamin Britten, Sandrine Piau, Orchestre Victor Hugo, Jean-François Verdier | F♯ Major | 1 | 2B | 82 BPM | ||
Chansons de Marjolie: No. 3, Celui que j’aime | Théodore Dubois, Véronique Gens, Munich Radio Orchestra, Herve Niquet | A Major | 1 | 11B | 89 BPM | ||
Te Deum: Sanctus | Johann Simon Mayr, Priska Eser-Streit, Merit Ostermann, Andreas Hirtreiter, Jorg Schneider, Robert Merwald, Simon Mayr Choir, Franz Hauk, Ingolstadt Georgian Chamber Orchestra | A♭ Minor | 2 | 1A | 125 BPM | ||
Winterreise, D. 911: No. 5, Der Lindenbaum | Franz Schubert, Andrè Schuen, Daniel Heide | G Minor | 0 | 6A | 129 BPM | ||
20 Irish Songs, WoO 153: No. 11, When Far From the Home | Ludwig van Beethoven, Gerald Finley, Nicola Benedetti, Sheku Kanneh-Mason, Benjamin Grosvenor | D Major | 1 | 10B | 173 BPM |
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