"Stabat Mater" by Zoltán Kodály, Budapest Monteverdi Choir, Eva Kollar was released on June 1, 2010. The duration of Stabat Mater is about 3 minutes long, at 3:26. Based on our data, "Stabat Mater" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Budapest Monteverdi Choir, Eva Kollar, Ferenc Farkas, Ferenc Kersch, Gyorgy Deak-Bardos, György Orbán, Lajos Bárdos, László Halmos, Zoltán Kodály's "Musica Sacra Hungarica. Geistliche Chormusik des 20. Jahrhunderts" album is number 18 out of 22. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Stabat Mater's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Stabat Mater by Zoltán Kodály, Budapest Monteverdi Choir, Eva Kollar to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
All-Night Vigil, Op. 52, TH 77 (Excerpts): No. 4, Lord, I Call to Thee | Pyotr Ilyich Tchaikovsky, Latvian Radio Choir, Sigvards Kļava | D Major | 2 | 10B | 77 BPM | ||
Laudes organi: V. Nunc per voces | Zoltán Kodály, Westminster Cathedral Choir, James O'Donnell, Andrew Reid | E Minor | 2 | 9A | 75 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: XII. Amen and with Thy Spirit | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | D Minor | 1 | 7A | 75 BPM | ||
Mother of God Here I Stand | John Taverner, Nottingham Cathedral Choir, Alex Patterson | F♯ Major | 0 | 2B | 84 BPM | ||
Psalm 96, "Chantez a Dieu chanson nouvelle" | Jan Pieterszoon Sweelinck, Voices of Ascension Chorus, Dennis Keene | E Minor | 1 | 9A | 86 BPM | ||
Kheruvimskaya pesnya (Cherubic Hymn) | Pyotr Ilyich Tchaikovsky, SWR Vokalensemble Stuttgart, Marcus Creed | E Minor | 0 | 9A | 82 BPM | ||
Our Father | Nikolay Kedrov, Conspirare, Craig Hella Johnson | C Major | 0 | 8B | 126 BPM | ||
Mass for Double Choir: Sanctus | Frank Martin, Mikaeli Chamber Choir, Anders Eby | D Major | 1 | 10B | 130 BPM | ||
Miserere mei, Z. 109 | Henry Purcell, Westminster Kantorei, Thomas Fields, Kerry Heimann, Amanda Quist | A Minor | 1 | 8A | 66 BPM | ||
Messe solennelle pour deux orgues et choeur, Op. 16: V. Agnus Dei | Louis Vierne, Michel Bouvard | A♭ Major | 1 | 4B | 81 BPM |
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