"Kaiserrequiem: IV. Offertorium (Domine Jesu Christe - Sed signifer - Quam olim Abrahae)" by Johann Joseph Fux, Vox Luminis, Lionel Meunier, Scorpio Collectif was released on August 19, 2016. With this song being about 5 minutes long, at 5:00, "Kaiserrequiem: IV. Offertorium (Domine Jesu Christe - Sed signifer - Quam olim Abrahae)" by Johann Joseph Fux, Vox Luminis, Lionel Meunier, Scorpio Collectif is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Vox Luminis, Lionel Meunier, L'Achéron, Scorpio Collectif's "Kerll & Fux: Requiems" album is number 11 out of 14. Kaiserrequiem: IV. Offertorium (Domine Jesu Christe - Sed signifer - Quam olim Abrahae) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Kaiserrequiem: IV. Offertorium (Domine Jesu Christe - Sed signifer - Quam olim Abrahae) by Johann Joseph Fux, Vox Luminis, Lionel Meunier, Scorpio Collectif to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A Sonata of Scots Tunes : Cromlit's Lilt | James Oswald, Orpheus Musicus, Laura Martinez Boj, Sergio Suárez | D♭ Major | 0 | 3B | 82 BPM | ||
Litaniae Omnium Sanctorum, ZWV 153: Propitius esto | Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | A♭ Major | 2 | 4B | 121 BPM | ||
Oratorium germanicum de Passione Domini: Symphony: Vivace | Johann Joseph Fux, Alois Mühlbacher, Jakob Kritzinger, Simon Boden, Markus Miesenberger, Matthias Helm, St. Florianer Sängerknaben, Ars Antiqua Austria, Gunar Letzbor | B Minor | 0 | 10A | 82 BPM | ||
Beatus vir, ZWV 75: Gloria Patri - After Psalm 111 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | A♭ Minor | 1 | 1A | 103 BPM | ||
Première suite à 3 violes in D Major: No. 3, Courante | Marin Marais, François Joubert-Caillet, L'Achéron | D♭ Major | 2 | 3B | 111 BPM | ||
Sinfonia a 3 in C Major, K.331: I. Turcaria | Johann Joseph Fux, Infusion Baroque, Amir Amiri, Hank Knox, Thibault Bertin-Maghit, Hamin Honari | C Major | 2 | 8B | 119 BPM | ||
Concerto VII in F Major: IV. Allegro | António Pereira da Costa, Ensemble Bonne Corde, Diana Vinagre | F Major | 2 | 7B | 109 BPM | ||
Chamber Sonata No. 1 in B-Flat Major: III. Adagio | Élisabeth Jacquet de La Guerre, Musica Fiorita | F♯ Minor | 1 | 11A | 88 BPM | ||
Missa Paschalis, ZWV 7: Credo. Et resurrexit | Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | A♭ Minor | 1 | 1A | 103 BPM | ||
Trio Sonata No. 5 in D Major, Op. 2, Trio Sonata No. 1 in E Minor: I. Adagio | Jean-Joseph Cassanéa De Mondonville, Ensemble Diderot, Johannes Pramsohler | C Major | 1 | 8B | 97 BPM |
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