City Of Birmingham Symphony Orchestra, Sir Mark Elder made "Hamlet Op. 32 - 1932 Production - Act III - i. Scene with a recorder; ii. Episod" available on June 28, 2005. With Hamlet Op. 32 - 1932 Production - Act III - i. Scene with a recorder; ii. Episod being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 44 in the song's album "Shostakovich: Hamlet & King Lear". In this album, this song's track order is #16. In terms of popularity, Hamlet Op. 32 - 1932 Production - Act III - i. Scene with a recorder; ii. Episod is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Hamlet Op. 32 - 1932 Production - Act III - i. Scene with a recorder; ii. Episod by City Of Birmingham Symphony Orchestra, Sir Mark Elder having a BPM of 116 with a half-time of 58 BPM and a double-time of 232 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Minor | 0 | 7A | 117 BPM | ||
Gretchen am Spinnrade, D. 118 (Arr. for Piano by Franz Liszt) | Franz Schubert, Yuja Wang | C Major | 3 | 8B | 78 BPM | ||
Requiem, Op. 63: VIc. Osanna | Charles Villiers Stanford, Carolyn Sampson, James Way, Ross Ramgobin, Marta Fontanals-Simmons, University of Birmingham Voices, City Of Birmingham Symphony Orchestra, Martyn Brabbins | D Major | 1 | 10B | 74 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Petite suite, L. 65: I. En bateau (Orch. by Henri Busser) | Claude Debussy, Yoav Talmi, Orchestre Symphonique De Québec | B Minor | 0 | 10A | 75 BPM | ||
Romance, Op. 11 | Gerald Finzi, London Philharmonic Orchestra, Sir Adrian Boult | A♭ Major | 1 | 4B | 84 BPM | ||
Saint-Saëns: Le Carnaval des animaux: XII. Fossiles | Camille Saint-Saëns, John Ogdon, Louis Frémaux, City Of Birmingham Symphony Orchestra | E♭ Major | 4 | 5B | 109 BPM | ||
Violin Concerto in D Major, Op. 61: II. Larghetto | Ludwig van Beethoven, Hilary Hahn, David Zinman, Baltimore Symphony Orchestra | G Major | 0 | 9B | 88 BPM | ||
Suite in B-Flat Major, Nowak 34 (Excerpts): IV. Finale. Sehr schnell | Hans Rott, Gürzenich Orchester Köln, Christopher Ward | B♭ Major | 2 | 6B | 93 BPM | ||
Haydn: The Creation, Hob. XXI:2, Pt. 2: No. 21, Recitative. "Straight opening her fertile womb" (Raphael) | Joseph Haydn, David Thomas/City of Birmingham Symphony Orchestra/Sir Simon Rattle, David Thomas, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | B♭ Major | 3 | 6B | 109 BPM |
Section: 0.8608343601226807
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