- BPM
- 84
- Key
- A♭ Major
- Camelot
- 4B
Romance, Op. 11 - Gerald Finzi, London Philharmonic Orchestra, Sir Adrian Boult Information
- Acousticness
- 89%
- Danceability
- 9%
- Energy
- 6%
- Instrumentalness
- 90%
- Liveness
- 12%
- Loudness
- 59%
- Speechiness
- 4%
- Valence
- 5%
- Popularity
- 20%
- Loudness
- -24.669 dB
Summary
"Romance, Op. 11" by Gerald Finzi, London Philharmonic Orchestra, Sir Adrian Boult was released on February 1, 2007. Since Romance, Op. 11 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 6 out of 11 in Finzi: Orchestral Works by Gerald Finzi, Rodney Friend, London Philharmonic Orchestra, Sir Adrian Boult, Peter Katin, Vernon Handley. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Romance, Op. 11 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Romance, Op. 11 BPM
The tempo marking of Romance, Op. 11 by Gerald Finzi, London Philharmonic Orchestra, Sir Adrian Boult is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Romance, Op. 11 Key
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Clarinet Concerto in B-Flat Major: Andante sostenuto | Gaetano Donizetti, Camerata De Budapest, Laszlo Kovacs | B♭ Minor | 0 | 3A | 69 BPM | |
 | Pomp and Circumstance March No. 1 in D Major, Op .39, No. 1 | Edward Elgar, David Parry, London Philharmonic Orchestra | D Major | 3 | 10B | 89 BPM | |
 | Kol Nidrei - Adagio For Cello, Opus 47 | Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim | D Major | 1 | 10B | 81 BPM | |
 | Violin Concerto No. 2 In B Minor, Op. 7, MS.48: 3. Rondo à la clochette, 'La campanella' - Excerpt | Niccolò Paganini, Salvatore Accardo, London Philharmonic Orchestra, Charles Dutoit | B Minor | 3 | 10A | 113 BPM | |
 | Vaughan Williams: Symphony No. 4 in F Minor: II. Andante moderato | Ralph Vaughan Williams, Bernard Haitink, London Philharmonic Orchestra | F Minor | 0 | 4A | 139 BPM | |
 | Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IX. Nimrod | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | E♭ Major | 1 | 5B | 70 BPM | |
 | On hearing the first Cuckoo in Spring | Frederick Delius, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 1 | 9B | 80 BPM | |
 | Symphony No. 3 in C Minor, Op. 78 "Organ": Allegro moderato | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | A♭ Major | 1 | 4B | 109 BPM | |
 | Grieg: The Last Spring, Op. 34, No. 2 | Edvard Grieg, San Francisco Symphony, Michael Tilson Thomas | G Major | 0 | 9B | 89 BPM | |
 | Brandenburg Concerto No. 3 in G Major, BWV 1048: III. Allegro | Johann Sebastian Bach, David Parry, London Philharmonic Orchestra | G Major | 4 | 9B | 98 BPM |
- ISRC
- GBAET9232400
- Label
- L-M Records/RCA Records
Section: 0.6560113430023193
End: 0.663707971572876