"Missa apostolorum: II. Gloria alternatim" by Andrea Gabrieli, Schola Gregoriana Scriptoria, Don Nicola Bellinazo, Roberto Loreggian was released on August 28, 2015. Since Missa apostolorum: II. Gloria alternatim is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Andrea Gabrieli, Schola Gregoriana Scriptoria, Don Nicola Bellinazo, Roberto Loreggian's "Gabrieli: Complete Keyboard Music" album is number 52 out of 85. On top of that, Netherlands appears to be the country where this track was created. Missa apostolorum: II. Gloria alternatim is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Missa apostolorum: II. Gloria alternatim by Andrea Gabrieli, Schola Gregoriana Scriptoria, Don Nicola Bellinazo, Roberto Loreggian to be Adagio (slowly with great expression) because the track has a tempo of 73 BPM, a half-time of 36BPM, and a double-time of 146 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kronstorfer Messe in D Minor, WAB 146: I. Kyrie | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | G Minor | 2 | 6A | 137 BPM | ||
Tenebrae Responsories, Feria quinta: V. Judas mercator pessimus | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | C Major | 1 | 8B | 70 BPM | ||
Bransle Loraine, TMA18 | Michael Praetorius, Capella De La Torre, Katharina Bauml | C Major | 1 | 8B | 93 BPM | ||
Messa Delli Apostoli: Kyrye I | Girolamo Frescobaldi, Federico del Sordo, Schola Gregoriana Gregoriani Urbis Cantores, Alberto Turco | F♯ Major | 1 | 2B | 86 BPM | ||
In solitare arene | Cataldo Amodei, Cappella Mediterranea, Leonardo García-Alarcón, Ana Vieira Leite, Matteo Bellotto | B♭ Minor | 0 | 3A | 110 BPM | ||
Qual fora, donna, un dolce Ohime | Carlo Gesualdo, Delitiæ Musicæ, Marco Longhini | F Minor | 1 | 4A | 135 BPM | ||
Petite messe solennelle: II. Kyrie. Christe eleison | Gioachino Rossini, Giulio Prandi, Coro Ghislieri | A Minor | 0 | 8A | 172 BPM | ||
Introitus: I. Requiem aeternam | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | A♭ Major | 1 | 4B | 88 BPM | ||
Missa ex B: XI. Credo - Live at Melk Abbey, 5/30/2004 | Heinrich Ignaz Franz von Biber, Cappella Nova Graz, Otto Kargl | B♭ Major | 3 | 6B | 86 BPM | ||
Hélas, Madame | Henry VIII, Katelijne Van Laethem, Jan Caals, Flanders Recorder Quartet, Capilla Flamenca, Bart Spanhove, Paul Van Loey, Joris Van Goethem, Fumiharu Yoshimine, Philippe Malfeyt | F♯ Major | 1 | 2B | 70 BPM |
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