Emmerich Kálmán, Chor und Orchester der Wiener Staatsoper, Franz Bauer-Theussl, Karl Terkal, Vienna State Opera Orchestra made "Die Czardasfüsrstin, Act I: "Die Mädis vom Chantant"" available on September 1, 2010. The duration of Die Czardasfüsrstin, Act I: "Die Mädis vom Chantant" is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Die Czardasfüsrstin, Act I: "Die Mädis vom Chantant"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 32 in Beliebte Operettenmelodien by Various Artists. In terms of popularity, Die Czardasfüsrstin, Act I: "Die Mädis vom Chantant" is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Die Czardasfüsrstin, Act I: "Die Mädis vom Chantant" by Emmerich Kálmán, Chor und Orchester der Wiener Staatsoper, Franz Bauer-Theussl, Karl Terkal, Vienna State Opera Orchestra is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Csárdásfürstin · Operette in 3 Akten (1988 Digital Remaster), Zweiter Akt: Tanzen möcht' ich - Tausend kleine Engel singen (Sylva - Edwin) | Emmerich Kálmán, Anneliese Rothenberger, Willy Mattes, Symphonieorchester Graunke | D Major | 3 | 10B | 93 BPM | ||
L'Arlesienne Suite No. 2 (arr. E. Guirand for orchestra): L'arlesienne, Suite No. 2: II. Intermezzo | Ernest Guiraud, Georges Bizet, Budapest Philharmonic Orchestra, Ádám Medveczky | E♭ Major | 0 | 5B | 68 BPM | ||
L'Estudiantina | The Manhattan Pops | D Major | 3 | 10B | 99 BPM | ||
Venetianer-Galopp, Op. 74 | Johann Strauss I, Slovak Sinfonietta, Zilina, Ernst Märzendorfer | B Major | 3 | 1B | 159 BPM | ||
Durch Berlin fliesst immer noch die Spree | Jean Gilbert, Hermann Prey, Wannsee-Sanger, Cologne Radio Orchestra, Heinz Geese | C Major | 2 | 8B | 116 BPM | ||
Im Salzkammergut da kann man gut | Wiener Operettenorchester, Chor | C Major | 5 | 8B | 76 BPM | ||
Lohengrin, WWV 75 / Act I: "Einsam in trüben Tagen" | Richard Wagner, Cheryl Studer, Hartmut Welker, Kurt Moll, Vienna State Opera Chorus, Wiener Philharmoniker, Claudio Abbado | A♭ Major | 0 | 4B | 82 BPM | ||
Die Csardasfurstin (The Gypsy Princess), Act II: Duet: Tanzen mochte ich | Emmerich Kálmán, Ruth-Margret Putz, Heinz Hoppe, Berlin Municipal Opera Orchestra, Hansgeorg Otto | D Major | 2 | 10B | 86 BPM | ||
Carmen (Act I, Sequedille) | Agnes Baltsa | D Major | 2 | 10B | 112 BPM | ||
Vagabondages pour flûte et harpe: II. Langen (Hessen): Handkäse mit Musik - Allegretto | Louis Sauter, Claudio Ferrarini | E Minor | 2 | 9A | 68 BPM |
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