"Im Abendrot" by Friedrich Schorr was released on September 4, 2006. With this song being around four minutes long, at 4:02, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Friedrich Schorr's "Lebendige Vergangenheit - Friedrich Schorr (Vol. 2)" album is number 16 out of 18. In terms of popularity, Im Abendrot is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Im Abendrot by Friedrich Schorr to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 5/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gotterdammerung (Twilight of the Gods): Act I - Scene 3 - Altgewohntes Gerausch | Richard Wagner, Eduard Habich, Marjorie Lawrence, Lauritz Melchior, Friedrich Schorr, New York Metropolitan Opera Chorus, Metropolitan Opera Orchestra, Artur Bodanzky | B Minor | 4 | 10A | 58 BPM | ||
Puccini: Tosca, Act 1: "Tutto è chiaro ... Tosca? Che non mi veda ... Mario! Mario!" (Tosca, Scarpia, Sacristan) | Giacomo Puccini, Tito Gobbi, Melchiorre Luise, Orchestra Del Teatro Alla Scala, Milano, Victor de Sabata | C Major | 2 | 8B | 111 BPM | ||
Spring Waters (Vesenniye vodi), Op.14, No.11 | Sergei Rachmaninoff, Marjorie Lawrence, Ivor Newton | D♭ Major | 1 | 3B | 83 BPM | ||
Lacrymosa | Giuseppe Verdi, Carmen Giannattasio, Veronica Simeoni, Alxander Timchenko, Carlo Colombara, Yuri Temirkanov, St. Petersburg Philharmonic Orchestra | B♭ Minor | 2 | 3A | 79 BPM | ||
The Merry Widow (Die lustige Witwe) - Sung In Italian - Act 2: Vilja-Lied | Franz Lehár, Renata Tebaldi, With Orchestral Accompaniment | G Major | 1 | 9B | 88 BPM | ||
Siegfried: Scene 1: Stark ruft das Lied | Richard Wagner, Kirsten Flagstad, Eduard Habich, Karl Laufkotter, Lauritz Melchior, Friedrich Schorr, Kerstin Thorborg, Metropolitan Opera Orchestra, Artur Bodanzky | C Major | 3 | 8B | 59 BPM | ||
Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
Wie Todesahnung Dämm´rung (Tannhäuser) | Friedrich Schorr | G Major | 3 | 9B | 75 BPM | ||
La Traviata: Choeur des bohémiens | Orchestre symphonique de la Radiodiffusion bavaroise | A Major | 2 | 11B | 122 BPM | ||
Verdi: Nabucco, Act 3: "Va pensiero", 'Chorus of the Hebrew slaves' (Chorus) | Giuseppe Verdi, Carlo Rizzi, Chorus of the National Academy of Saint Cecilia, Orchestra of the National Academy of Saint Cecilia | E Major | 0 | 12B | 79 BPM |
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