"Lacrymosa" by Giuseppe Verdi, Carmen Giannattasio, Veronica Simeoni, Alxander Timchenko, Carlo Colombara, Yuri Temirkanov, St. Petersburg Philharmonic Orchestra was released on 2009. Lacrymosa is about six minutes long, preciously at 6:01, making this song fairly long compared to other songs. This song is part of Verdi Requiem by Giuseppe Verdi, Carmen Giannattasio, Veronica Simeoni, Alxander Timchenko, Carlo Colombara, Yuri Temirkanov, St. Petersburg Philharmonic Orchestra. The song's track number on the album is #10 out of 16 tracks. Lacrymosa is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Lacrymosa by Giuseppe Verdi, Carmen Giannattasio, Veronica Simeoni, Alxander Timchenko, Carlo Colombara, Yuri Temirkanov, St. Petersburg Philharmonic Orchestra has a tempo of 79 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Lacrymosa being at 79 BPM, the half-time would be 40 BPM with a double-time of 158 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rachmaninov: Piano Concerto No. 1 in F-Sharp Minor, Op. 1: II. Andante | Sergei Rachmaninoff, Mikhail Rudy, Mariss Jansons, St. Petersburg Philharmonic Orchestra | A Major | 2 | 11B | 75 BPM | ||
Messa da Requiem: VII Dies irae | Cesar Hernandez, Elena Filipova, Hungarian State Opera Orchestra, Gloria Scalchi, Hungarian State Opera Chorus, Carlo Colombara | G Minor | 3 | 6A | 139 BPM | ||
8 Etudes, Op. 42: No. 3 in F-Sharp Major | Alexander Scriabin, Lang Lang, Yuri Temirkanov, St. Petersburg Philharmonic Orchestra | D♭ Major | 1 | 3B | 78 BPM | ||
Madama Butterfly, SC 74 / Act 2: Addio fiorito asil | Giacomo Puccini, Freddie De Tommaso, Philharmonia Orchestra, Paolo Arrivabeni | B Minor | 2 | 10A | 89 BPM | ||
Il Barbiere di Siviglia: Ecco, ridente in cielo - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly | C Major | 1 | 8B | 126 BPM | ||
3 Pieces, Op. 2: No. 1, Etude in C-Sharp Minor | Alexander Scriabin, Lang Lang | D♭ Minor | 0 | 12A | 64 BPM | ||
Poeme d'un jour, Op. 21: No. 2. Toujours | Gabriel Fauré, Carlo Colombara, Rani Calderon | B Major | 2 | 1B | 129 BPM | ||
None But the Lonely Heart, Op. 6 No. 6 | Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Oleg Boshniakovich | D♭ Major | 0 | 3B | 93 BPM | ||
La favorite, Act III: O mon Fernand | Gaetano Donizetti, Veronica Simeoni, Orchestra del Maggio Musicale Fiorentino, Fabio Luisi | E Major | 3 | 12B | 130 BPM | ||
Carmina Burana / II. In Taberna: "In taberna quando sumus" | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | F Major | 4 | 7B | 134 BPM |
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