- BPM
- 130
- Key
- E Major
- Camelot
- 12B
La favorite, Act III: O mon Fernand - Gaetano Donizetti, Veronica Simeoni, Orchestra del Maggio Musicale Fiorentino, Fabio Luisi Information
- Acousticness
- 96%
- Danceability
- 37%
- Energy
- 28%
- Instrumentalness
- 0%
- Liveness
- 76%
- Loudness
- 69%
- Speechiness
- 6%
- Valence
- 42%
- Popularity
- 1%
- Loudness
- -18.842 dB
Summary
Gaetano Donizetti, Veronica Simeoni, Orchestra del Maggio Musicale Fiorentino, Fabio Luisi made "La favorite, Act III: O mon Fernand" available on August 17, 2018. With this song being around four minutes long, at 3:41, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 4 out of 41 in Donizetti: La favorite by Gaetano Donizetti, Orchestra del Maggio Musicale Fiorentino, Fabio Luisi, Celso Albelo, Veronica Simeoni. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. Based on our statistics, La favorite, Act III: O mon Fernand's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
La favorite, Act III: O mon Fernand BPM
The tempo marking of La favorite, Act III: O mon Fernand by Gaetano Donizetti, Veronica Simeoni, Orchestra del Maggio Musicale Fiorentino, Fabio Luisi is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
La favorite, Act III: O mon Fernand Key
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | La Bohème / Act 1: "Sì. Mi chiamano Mimì" (Aria) - "Ehi! Rodolfo!" | Giacomo Puccini, Renata Tebaldi, Carlo Bergonzi, Renato Cesari, Cesare Siepi, Ettore Bastianini, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin | D Major | 2 | 10B | 130 BPM | |
 | Lucia di Lammermoor, Act I: Qui di sposa eterna | Gaetano Donizetti, Andrea Bocelli, Zuzana Markova, Orchestra del Teatro Carlo Felice di Genova, Andriy Yurkevych | F Major | 2 | 7B | 101 BPM | |
 | Offenbach: Robinson Crusoë, Act 2: "Conduisez-moi vers celui que j'adore" (Edwige) | Jacques Offenbach, Natalie Dessay, Michel Plasson, Orchestre Du Capitole De Toulouse | A Major | 2 | 11B | 100 BPM | |
 | Adriana Lecouvreur / Act 1: "Ecco: respiro appena ... Io son l'umile ancella" | Francesco Cilea, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | A♭ Major | 1 | 4B | 82 BPM | |
 | Semiramide / Act 1: Alle più calde immagini | Gioachino Rossini, Dame Joan Sutherland, Marilyn Horne, London Symphony Orchestra, Richard Bonynge | E♭ Major | 2 | 5B | 86 BPM | |
 | I Puritani | Dame Joan Sutherland, Orchestra of the Royal Opera House & Covent Garden, Francesco Molinari-Pradelli | D Major | 2 | 10B | 112 BPM | |
 | Rossini: Il barbiere di Siviglia, Act 1, No. 5: Una voce poco fa | Gioachino Rossini, Jesús López-Cobos, Orchestre de Chambre de Lausanne | E Major | 1 | 12B | 68 BPM | |
 | Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Sir Mark Elder | C Major | 1 | 8B | 91 BPM | |
 | Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Deh! vieni alla finestra" - Live In London / 1996 | Wolfgang Amadeus Mozart, Bryn Terfel, London Philharmonic Orchestra, Sir Georg Solti | C Major | 0 | 8B | 126 BPM | |
 | Bizet: Carmen, WD 31, Act 4 Scene 2: No. 27, Duo, "C'est toi! C'est moi!" - No. 28, Choeur final, "Viva viva! La course est belle!" (Carmen, Don José, Chorus) | Georges Bizet, Maria Callas, Nicolai Gedda, Choeurs Rene Duclos, Choeurs D'Enfants Jean Pesneaud, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Paris Opera Orchestra | D♭ Major | 2 | 3B | 119 BPM |
- ISRC
- ITN321817568
- Label
- L-M Records/RCA Records
Section: 0.7702417373657227
End: 0.7756638526916504