"Siegfried: Act II: Prelude" by Richard Wagner, Wolfgang Windgassen, Paul Kuen, Hans Hotter, Gustav Neidlinger, Arnold van Mill, Astrid Varnay, Bayreuth Festival Orchestra, Hans Knappertsbusch was released on May 2, 2012. With this song being about 5 minutes long, at 4:54, "Siegfried: Act II: Prelude" by Richard Wagner, Wolfgang Windgassen, Paul Kuen, Hans Hotter, Gustav Neidlinger, Arnold van Mill, Astrid Varnay, Bayreuth Festival Orchestra, Hans Knappertsbusch is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Richard Wagner, Hans Knappertsbusch's "Hans Knappertbusch: Richard Wagner's Der Ring Des Nibelungen" album is number 8 out of 205. On top of that, United States appears to be the country where this track was created. In terms of popularity, Siegfried: Act II: Prelude is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Siegfried: Act II: Prelude by Richard Wagner, Wolfgang Windgassen, Paul Kuen, Hans Hotter, Gustav Neidlinger, Arnold van Mill, Astrid Varnay, Bayreuth Festival Orchestra, Hans Knappertsbusch to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Preludio Sinfonico | Giacomo Puccini, Hungarian Operetta Orchestra, Pier Giorgio Morandi | A Major | 0 | 11B | 59 BPM | ||
Les Contes d'Hoffmann / Act 1: Entr'acte | Jacques Offenbach, Orchestre de la Suisse Romande, Richard Bonynge | E Major | 2 | 12B | 100 BPM | ||
Don Quixote, Op. 35: Theme - Don Quixote, the Knight of the Sorrowful Countenance | Richard Strauss, Fritz Reiner | F Major | 0 | 7B | 63 BPM | ||
Symphony No. 41 in C Major, K. 551 "Jupiter": 1. Allegro Vivace | Wolfgang Amadeus Mozart, Wiener Philharmoniker, Karl Böhm | B♭ Major | 3 | 6B | 83 BPM | ||
Grieg: Peer Gynt (Incidental Music), Op. 23, Act 4: No. 18, Anitra's Dance | Edvard Grieg, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville Marriner | E Minor | 0 | 9A | 80 BPM | ||
Pulcinella: 1. Ouverture: Allegro moderato | Igor Stravinsky, Saint Paul Chamber Orchestra, Christopher Hogwood | F Major | 0 | 7B | 127 BPM | ||
Samson et Dalila, Op. 47, R. 288 / Act 3: Bacchanale | Camille Saint-Saëns, Orchestre de Paris, Daniel Barenboim | B Major | 3 | 1B | 94 BPM | ||
Carmina Burana / II. In Taberna: "In taberna quando sumus" | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | F Major | 4 | 7B | 134 BPM | ||
Romeo and Juliet, Op. 64 - Act 1: The Fight | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | C Major | 4 | 8B | 108 BPM | ||
Symphony No. 5 in E Minor, Op. 64: IV. Finale. Andante maestoso – Allegro vivace – Moderato assai e molto maestoso – Presto – Molto meno mosso | Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Kirill Petrenko | E Major | 3 | 12B | 141 BPM |
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