"10ème symphonie "Romane", Op. 73: Choral (Adagio)" by Charles-Marie Widor, Michel Bouvard was released on October 1, 1996. Since 10ème symphonie "Romane", Op. 73: Choral (Adagio) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Vierne: Messe solennelle pour deux orgues et choeur - Widor: 10ème symphonie "Romane" (Orgue A. Cavaillé-Coll Toulouse) by Michel Bouvard, Ensemble Les Eléments, Joël Suhubiette. The song's track number on the album is #11 out of 13 tracks. 10ème symphonie "Romane", Op. 73: Choral (Adagio) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since 10ème symphonie "Romane", Op. 73: Choral (Adagio) by Charles-Marie Widor, Michel Bouvard has a tempo of 68 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With 10ème symphonie "Romane", Op. 73: Choral (Adagio) being at 68 BPM, the half-time would be 34 BPM with a double-time of 136 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonie romane, Op. 73: I. Moderato | Charles-Marie Widor, Joseph Nolan | D Major | 2 | 10B | 71 BPM | ||
Oboe Concerto in A Major (arr. J. Barbirolli): V. Giga | Arcangelo Corelli, Anthony Camden, City of London Sinfonia, Nicholas Ward | F Major | 0 | 7B | 104 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": Var. 9, Nimrod (Arr. D. Bishop for Organ) | Edward Elgar, Daniel Bishop | E♭ Major | 0 | 5B | 90 BPM | ||
Requiem in C Minor: II. Graduale | Luigi Cherubini, Martin Pearlman, Boston Baroque | G Major | 1 | 9B | 81 BPM | ||
Gothic Suite Op 25: Pière à Notre-Dame | Léon Boëllmann, William McVicker | A♭ Major | 0 | 4B | 71 BPM | ||
Paint My Wall | Mikko Finneman | A♭ Minor | 3 | 1A | 86 BPM | ||
Viola Concerto in C Minor: I. Allegro molto ma maestoso | Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double Sens | C Minor | 2 | 5A | 96 BPM | ||
Elf Choralvorspiele, Op. 122: Nr. 6 O wie selig seid ihr doch, ihr Frommen | Johannes Brahms, Anders Eidsten Dahl | D Minor | 0 | 7A | 73 BPM | ||
Weint nicht um meinen Tod | Johann Bach, Vox Luminis, Lionel Meunier | C Minor | 0 | 5A | 67 BPM | ||
Peer Gynt Suite No. 1, Op. 46: II. The Death of Aase (Arr. For organ) | Edvard Grieg, Martin Schmeding | G Major | 3 | 9B | 116 BPM |
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