"Violin Concerto No. 1 in D Major, Op. 7: II. Adagio" by Friedrich Seitz, Hyejin Chung, Warren Lee was released on December 1, 2017. The duration of Violin Concerto No. 1 in D Major, Op. 7: II. Adagio is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Violin Concerto No. 1 in D Major, Op. 7: II. Adagio's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Seitz: Violin Concertos, Vol. 1". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Hong Kong. Violin Concerto No. 1 in D Major, Op. 7: II. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Violin Concerto No. 1 in D Major, Op. 7: II. Adagio by Friedrich Seitz, Hyejin Chung, Warren Lee having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wieniawski: 8 Etudes-Caprices, Op. 18: No. 4 in A Minor | Henryk Wieniawski, Itzhak Perlman | D Minor | 3 | 7A | 106 BPM | ||
Five Pieces For Two Violins and Piano: IV. Waltz | Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar Golan | G Minor | 1 | 6A | 179 BPM | ||
Capriol Suite: 1. Basse-danse | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | D Minor | 2 | 7A | 133 BPM | ||
Liebeslied (arr. for viola and piano) | Fritz Kreisler, Luigi Alberto Bianchi, Bruno Canino | A Major | 1 | 11B | 74 BPM | ||
Violin Concerto No. 11 in D Major, Op. 23: III. Rondo allegretto | Pierre Rode, Friedemann Eichhorn, Jena Philharmonic Orchestra, Nicolás Pasquet | D Major | 3 | 10B | 121 BPM | ||
Dvorák: Violin Concerto in A Minor, Op. 53, B. 108: I. Allegro, ma non troppo | Antonín Dvořák, Itzhak Perlman, Daniel Barenboim, London Philharmonic Orchestra | A Minor | 2 | 8A | 103 BPM | ||
Violin Concerto in E Minor, Op. 64, MWV O 14: II. Andante | Felix Mendelssohn, Ray Chen, Daniel Harding, Swedish Radio Symphony Orchestra | C Major | 1 | 8B | 85 BPM | ||
Küchler: Violin concertino Op. 11 in G Major: I. Allegro moderato | Ferdinand Küchler, Maria Antònia Pons-Estel Tugores, Valentin Moldovan | G Major | 1 | 9B | 135 BPM | ||
Sonata For Flute & Piano In C Major: Allegro scherzando | Otar Taktakishvili, Eva Kupiec, Marina Piccinini | C Major | 1 | 8B | 104 BPM | ||
Beethoven: Symphony No. 5 in C Minor, Op. 67: II. Andante con moto | Ludwig van Beethoven, Kurt Masur, New York Philharmonic | A♭ Major | 0 | 4B | 72 BPM |
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